Rob Hoos

First released in 2005 BLUE already reflected Rob Papen’s cutting-edge, creative, and — most importantly — musical approach towards developing virtual instruments by first delivering FM and subtractive synthesis, then duly adding Phase Distortion and wave shaping synthesis into the highly creative mix to create one seriously creative combination. Rob Papen himself called it ‘Cross-fusion synthesis’ since it covered so much musical ground so effectively.

In 1963, Rob made a name performing around the 60’s pop scene in Sydney as lead vocals for The Nocturnes. 1970’s were spent touring the Variety and Club circuit with The Thomas Brothers duo and as a solo artist. Following his interest in theatre, Rob graduated as an actor from NIDA in the 80’s. He cherished his 1206 performances singing in the ensemble of Les Miserables. Rob also appeared in Aspects of Love and developed his alter ego, saloon singer Tony Delarte, performing solo in cabaret and corporate venues. Currently, Rob can be heard announcing and producing jazz radio programs on Community Radio and singing swing with Big Bands in Sydney. This new jazz-influenced album, Who Am I?, is a fine work and will have broad appeal.

Fusion storytelling with photos and video is changing the photo business. In this workshop Vanessa and Rob show you how to stand out from your competition and make more money — using the video capabilities your camera already has!

You've spent hours on your track? Working and reworking every part to bring your musical vision to life. And you know that the quality of your reverb can be the difference between the rich sounding mix you're after and one that comes off as flat and artificial.

First released in 2005 BLUE already reflected Rob Papen’s cutting-edge, creative, and — most importantly — musical approach towards developing virtual instruments by first delivering FM and subtractive synthesis, then duly adding Phase Distortion and wave shaping synthesis into the highly creative mix to create one seriously creative combination. Rob Papen himself called it ‘Cross-fusion synthesis’ since it covered so much musical ground so effectively.

You've spent hours on your track? Working and reworking every part to bring your musical vision to life. And you know that the quality of your reverb can be the difference between the rich sounding mix you're after and one that comes off as flat and artificial.

First released in 2005 BLUE already reflected Rob Papen’s cutting-edge, creative, and — most importantly — musical approach towards developing virtual instruments by first delivering FM and subtractive synthesis, then duly adding Phase Distortion and wave shaping synthesis into the highly creative mix to create one seriously creative combination. Rob Papen himself called it ‘Cross-fusion synthesis’ since it covered so much musical ground so effectively.

You've spent hours on your track? Working and reworking every part to bring your musical vision to life. And you know that the quality of your reverb can be the difference between the rich sounding mix you're after and one that comes off as flat and artificial.