Robert Fripp's solo debut, originally released in 1979, Exposure is not only an important release historically in terms of influencing much music to come, including post-punk popular groups of today, it also is a who's who of guest musicians from Daryl Hall to Peter Gabriel, Peter Hammill, Terre Roche, Brian Eno, Tony Levin, Phil Collins, Narada Michael Walden, Jerry Marotta, Barry Andrews and Sid McGinnis. This standard edition is being released as a two disc set, with 24-page booklet. Remastered with many previously unreleased tracks. The jewel case version is being released simultaneously with a limited edition gatefold deluxe version which will appeal to the large base of serious Fripp collectors. Only packaging differs between the two versions tracks remain the same.
The long-awaited 32-disc boxed set of Robert Fripp in the studio and in concert 1977 - 1983 will be released on 27th May 2022. The set will feature many previously unreleased tracks, outtakes and rarities as well as a number of tracks appearing on CD for the first time. The largest in the series, Exposures is the ninth boxset release collecting King Crimson / Robert Fripp material from 1969 to 2008.
In May 2020, with much of the world in lockdown and reeling from the consequences of the Covid-19 pandemic, Robert Fripp began uploading the first of 52 individual Soundscapes on his YouTube channel, streaming platforms, and DGMLive. EntitledMusic For Quiet Moments and appearing once a week, these pieces created a space for reflection, offering a means of pausing from the day-to-day concerns and to provide a point of calm and perhaps, a sense of hope, in such troubled times.
When Robert Fripp’s Music For Quiet Moments started to appear with relatively little fanfare in May 2020, as a series of weekly uploads to YouTube and streaming services, their overall effect was one of balm. Moving through the digital ether, Fripp’s ambient soundscapes slowly drifted their way through a collective psychological environment grappling with the uncertainty of pandemic times…
Cheikha Rimitti was a popular Algerian raï female singer. Robert Fripp sails right into the Oriental motifs like he was born with an electric oud in his hand. The Fowler brothers, from Zappa's bands - handle the North African-style horn arrangements with aplomb. Flea (Red Hot Chili Peppers) has a hard time getting out of his American funk stylings, but the fusion works really, really well.
New collaborative album from electronic duo The Grid (aka Richard Norris and Dave Ball) and Robert Fripp. Combining Fripp Soundscapes with synth, drums, programming and effects by The Grid.
Live Frippertronics performances taken from recordings in New York City between July & August 1981. Mixed and Produced by David Singleton from audio restored by Alex R. Mundy. Vinyl cut by Jason Mitchell at LOUD mastering. The finest example of Frippertronics in performance. After completing the first round of concerts with a revived King Crimson starting in May 1981, Fripp headed over to the USA where he began a week-long residency at Washington Square United Methodist Church on 135 W Fourth Street in New York. Built in 1860, the church had historically been home to many congregations but in more recent years had become the venue for groups such as the Black Panthers, Gay Men's Health Crisis and numerous arts organisations.
Winner of the 2018 ROSL Annual Music Competition Gold Medal, saxophonist Jonathan Radford returns to ROSL to celebrate the launch of his debut album The Saxophone Craze with pianist and 2011 Annual Music Competition Keyboard Winner Ashley Fripp.