Roddy Ricch Feed Tha Streets

Riot is the epitome of class, longevity and integrity: the New Yorkers play their high-class heavy metal with full fervour and have not let numerous strokes of fate - such as the death of guitarist Mark Reale, since when, out of respect, they are operating as Riot V - get them down. A lot of time has passed since the debut "Rock City" (1977), but Riot V is still around and now delights the fans with an absolute masterpiece. More than five years after "Armor Of Light" - which saw the band achieving chart success in numerous European countries for the first time ever - Riot V presents "Mean Streets". From the ferocious opener "Hail To The Warriors" to the hypnotic hymn "Feel The Fire" and the up-tempo hit "High Noon", up to the energetic title track, the band pulls out all the stops. Fast-paced, lively, melodic and heavy, "Mean Streets" is the full service for every heavy metal fan!

When you think of Pat Travers, three things usually come to mind…his "no holds barred" live performances, his bluesy, ballsy approach to guitar, and the voice. In the 2000 release "Don't Feed the Alligators" Travers applies the formula to some of the better blues clasics of the 70's and 80's. And, it works. Travers stylistic approach to such classics as "Black Friday", "Spanish Moon", and "I'm Bad, I'm Nationwide" features his excellent guitar work, unmistakable vocals and driving style. Pat Travers is a Canadian rock guitarist, keyboardist and singer who began his recording career with Polydor Records in the mid-1970s.

Angles - Every Woman Is A Tree (2008) {Clean Feed ‎CF112CD}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 365 Mb | MP3 @320 -> 141 Mb
Full Artwork @ 300 dpi (png) -> 30 Mb | 5% repair rar
© 2008 Clean Feed ‎| CF112CD
Jazz / Contemporary Jazz / Avant-Garde Jazz / Post Bop

Like Axel Dörner in Germany and Ernesto Rodrigues in Portugal, among others, Swedish alto (and sometimes baritone) saxophonist Martin Küchen spans the artificial divisions imposed between the “new” and the “old” improvising schools. His radical extended techniques, such as in the sonic use of saliva, are fundamental for the abstract, textural constructions on his solo album “Homo Sacer.” Although these techniques address sound itself rather than music as conventionally considered, Küchen is first of all a free jazz player. Küchen the free jazz artist is in fact what we find on “Every Woman is a Tree.”

Sven Laux’s "Paper Streets" is a deeply intimate and vulnerable affair. Released on the Russian label Dronarivm, Sven paints minimal landscapes with watercolors in shades of violin, cello & piano; stripped bare & soaked in memory. The artist’s works bares a sense of detachment & reflection that usually occurs with the passing of time. Forlorn irony shows itself as it reminds you what feels like to fall in love for the first time, while conjuring ghosts from the last time you shared a gaze. A departure from the Sven’s earlier work, "Paper Streets" is an organic, neo-classical journey heard through a cinematic lens. Orchestral notes surge like tides and resonate like heartache. Nostalgia echoes and dissolves with a disarming vulnerability.

Feed the Animals is the fourth album by Girl Talk (Gregg Gillis), released on Illegal Art in 2008. It is composed almost entirely of samples taken from other artists' songs, plus minor original instrumentation by Girl Talk. Gillis has stated that the album was created as one long piece of music and then subsequently broken into individual songs.