A singularly accomplished bass innovator in the fields of jazz, free improvisation and new music, Mark Dresser has devoted himself in recent years to pushing the capacities of solo bass performance even further. In “Nourishments,” his first quintet recording in almost two decades, he shifts his attention back to another longtime creative commitment, ensemble exploration with a team of master improvisers possessing unmistakable sounds. Featuring Rudresh Mahanthappa, Michael Dessen, Denman Maroney, and, in turns, Tom Rainey or Michael Sarin–all leaders in their own right and players deeply versed in Dresser’s music–the quintet delves headlong into his richly suggestive compositions.
Soulstorm is a remarkable joint venture between gifted saxophonist Ivo Perelman, and two of the most distinguished string players around, cellist Daniel Levin and double bassist Torbjorn Zetterberg. Taking its title from a book by Brazilian writer Clarice Lispector, Soulstorm confirms the universality of jazz as a language for all nations in the global age. This is a transnational trio in every aspect of the music heard in this double album – the musicians converse fluently with one another, but each with his own accent and dialect.
Riot is the epitome of class, longevity and integrity: the New Yorkers play their high-class heavy metal with full fervour and have not let numerous strokes of fate - such as the death of guitarist Mark Reale, since when, out of respect, they are operating as Riot V - get them down. A lot of time has passed since the debut "Rock City" (1977), but Riot V is still around and now delights the fans with an absolute masterpiece. More than five years after "Armor Of Light" - which saw the band achieving chart success in numerous European countries for the first time ever - Riot V presents "Mean Streets". From the ferocious opener "Hail To The Warriors" to the hypnotic hymn "Feel The Fire" and the up-tempo hit "High Noon", up to the energetic title track, the band pulls out all the stops. Fast-paced, lively, melodic and heavy, "Mean Streets" is the full service for every heavy metal fan!
Sven Laux’s "Paper Streets" is a deeply intimate and vulnerable affair. Released on the Russian label Dronarivm, Sven paints minimal landscapes with watercolors in shades of violin, cello & piano; stripped bare & soaked in memory. The artist’s works bares a sense of detachment & reflection that usually occurs with the passing of time. Forlorn irony shows itself as it reminds you what feels like to fall in love for the first time, while conjuring ghosts from the last time you shared a gaze. A departure from the Sven’s earlier work, "Paper Streets" is an organic, neo-classical journey heard through a cinematic lens. Orchestral notes surge like tides and resonate like heartache. Nostalgia echoes and dissolves with a disarming vulnerability.
Like Axel Dörner in Germany and Ernesto Rodrigues in Portugal, among others, Swedish alto (and sometimes baritone) saxophonist Martin Küchen spans the artificial divisions imposed between the “new” and the “old” improvising schools. His radical extended techniques, such as in the sonic use of saliva, are fundamental for the abstract, textural constructions on his solo album “Homo Sacer.” Although these techniques address sound itself rather than music as conventionally considered, Küchen is first of all a free jazz player. Küchen the free jazz artist is in fact what we find on “Every Woman is a Tree.”
Martin Küchen is naive and desperate, and maybe only because of that one might feel that each of his albums has a message. If this message may seem political, its sense is profoundly about human undertakings, and “Epileptical West”, recorded live in Coimbra, Portugal, during the Jazz ao Centro festival, is no exception. Born in Sweden with a German father with a mixed background , he’s known not only for his innovative saxophone playing (going from the soprano to the baritone, here centered on the alto) and his ear-catching compositions, but also for his very critical statements regarding the Israeli and the American policies in relation to Palestine and the Palestinians.
“He who makes a beast of himself gets rid of the pain of being a man”, as a sage wiser and more debauched than most of us once remarked. Such is the headspace of Pigs Pigs Pigs Pigs Pigs Pigs Pigs, whose animalistic headspace is set out by their very moniker, yet who have wasted little time in creating an almighty psychic charge that has blown minds and summoned bedlam in sweat-drenched venues across the UK’s underground and beyond.