Roger Godement Algebre

Manuel d'enseignement des mathématiques modernes. Les Lebossé et Hémery sont considérés comme des ouvrages didactiques incomparables.

Manuel d'enseignement des mathématiques modernes. Les Lebossé et Hémery sont considérés comme des ouvrages didactiques incomparables.

Dans cet ouvrage pratique, proche des programmes des concours et incluant de nombreux exemples et exercices d'application, l'auteur introduit les notions algébriques de groupe et d'anneau. Il les utilise d'une part dans le cadre de la géométrie affine et de la géométrie euclidienne, et d'autre part en théorie des nombres. …

Dans ce premier tome, les auteurs présentent successivement le calcul propositionnel, les algèbres de Boole, le calcul des prédicats et les théorèmes de complétude.

The Soldier's Tale is a theatrical work ""to be read, played, and danced"" by three actors (the soldier, the devil, and a narrator) and dancers, accompanied by a septet of instruments. The libretto relates the parable of a soldier who trades his fiddle to the devil in return for unlimited economic gain. The music is scored for a septet of violin, double bass, clarinet, bassoon, cornet or trumpet), trombone, and percussion. The libretto is adapted by Roger Waters from the translation by Michael Flanders and Kitty Black, based on the original text by Charles-Ferdinand Ramus. Roger Waters recorded the album because of a personal background as Mr. Waters father went missing in World War II and his grandfather died in battle in World War I. The loss of his father has been a central theme throughout his live and topic for other releases. Telegraph UK: I think I am still preoccupied by the same things that I was 30 years ago. Losing my father, and that attachment that I have to his humanity, is still central to everything that I do Roger Waters adapted the English translation of Lhistoire du Soldat (original title of the piece) and recorded all 3 characters himself with different accents and speaking voices.

A car crash in March 1953 cruelly cut short the career of Roger Desormiere, who at the age of 53 had already established a reputation as one of the most insightful French conductors of his or any previous era. The resulting stroke left him barely able to communicate, incapable of work. His pupils, including Pierre Boulez, were distraught, but Desormiere clung on for thirteen painful years, eventually dying a broken man. Desormieres legacy on disc is a case of what might have been. Record companies showed little interest in recording the modern repertoire of which he was so stylish and dedicated an interpreter, at least the equal in this regard of Hans Rosbaud and Rene Leibowitz. His one indisputable classic of the gramophone is the 1941 HMV recording of Pelleas et Melisande, but he recorded much else for several different labels. The present set brings together all his Decca recordings for the first time, made in mono between 1947 and 1951, newly remastered and constituting a substantial tribute to a musician of manifold gifts.