Romain Pilon Colorfield Flac

The trumpet at the movies *Move *– the name of this album – is also the title of a concerto written by Baptiste Trotignon and here receiving its recording premiere; the work pays tribute to major composers of film music, whose iconic scores form the backdrop in this “audiofilm” starring the trumpet of Romain Leleu. Taking us on a cinematic journey with stops to admire Rota’s The Godfather and Ennio Morricone’s Wild West, Rochefort and Chinatown, Elevator to the Gallows and Dingo (both films with a direct connection to Miles Davis), the young French trumpet player skilfully navigates between a jazz line-up and full orchestra, in the company of stellar associates. Roll film!

This monumental work of French Romanticism is one of the essential landmarks in the career of any conductor. The quality of Berlioz’s orchestration and questions of timbre and the ideal instrumental forces lie at the core of the approach of Jos van Immerseel and Anima Eterna Brugge, who are increasingly drawn to French composers and especially to their precise, shimmering orchestral textures.

"Following on the success of their widely acclaimed Music & Arts release J.S. Bach: Sonatas for Flute and Harpsichord, Stephen Schultz (Baroque flute) and Jory Vinikour (harpsichord) are joined by Alexa Haynes-Pilon (viola da gamba), and Mindy Rosenfeld (Baroque flute) in superlative performances of François Couperin’s four Concerts Royaux; works which stand among the pinnacles of the Golden Age that was French music during the reign of Louis XIV. This state-ofthe- art recording was produced and engineered at Skywalker Sound by two-time Grammy Award winner Jack Vad (2012, 2021).

Born in the Prince-Bishopric of Liège, Antoine Gosswin was recruited at a very young age by the Bavarian court chapel, where he was in frequent contact with Orlando di Lasso and accompanied the Emperor Maximilian II on his travels. Esteemed as a singer and composer, he was also part of the violin band employed by Duke Albert V at the legendary wedding of Prince William in 1568. Gosswin would go on to conduct the chapel of Prince Ernest, Bishop of Freising and later of Liège, to whom he dedicated his Newe teutsche Lieder. Extremely prolific, Gosswin produced several masses and motets as well as madrigals and German songs in which he continued the musical developments initiated by his master Lasso.