Ron Asmus

Ten tunes with an all-star cast including Ronnie Earl (guitar), Kim Wilson (harmonica), Greg Piccolo (sax), Wayne Bennett (guitar), and other excellent players. Plenty of fine guitar, keyboards, harmonica, and uptempo blues music.

Ron Boots has been making great electronica for years. "Cutting Branches" continues his tradition of excellence. Created totally on electronic instruments, Ron is able to generate authentic-sounding drums, guitar and bass. He mixes them expertly to create exotic soundscapes and vivid imagery. The images are very pastoral and organic. Much in the vein of Robert Rich, Ron creates organic juxtapositions through scientific exploration. This music is otherworldly, ethereal and serene.

"Area Movement", which was conceived during the last 15 years (with many long intervals), describes some special places in the world. This ranges from Ron’s own country The Netherlands (The "Wadden Sea") to Canada and the Serengeti National Park. The style on "Area Movement" is quite melodically, sometimes even symphonic. In this case, "Area Movement" sometimes bares some of the same fine atmospheres of his early albums. The first track "The Grand Banks" already shows it. Starting with a soft piano part, this piece really "rocks". It features Harold van der Heijden on drums. Also, the sequences are excellent again. Another great track is "Rapids" in which the sequences somewhat remind of Ron’s masterpiece "Tainted Bare Skin"…

The fifth AXIS recording once again brings in a different approach to the music. With the exception of the group’s first album, Les Oiseaux De Matisse, which was largely recorded live in the studio, subsequent albums (Dream Feathers, Port Of Saints, Blutopia) have been built from Ron upwards – Ron recording with a small core of players and then arranged for larger groups via subsequent overdubs.

They could make it a lot easier for themselves, especially at their age and with their reputation. Play something so that people identify with them: easy-listening, swinging mainstream, or flowing music in the sound of musette. However, whoever knows the two partners in crime know only too well that they have searched for risks during their lives like adrenaline junkies, never approached the adventure of music from the safe side, but instead always wanted to go beyond their own horizon. Like two intrepid mountaineers, they balance over a yawning abyss, perform daring maneuvers and clear the way for each other time and again.

Always one of the most in demand bassist and session men. He does not have a large body of work as a featured artist, but here you can catch him in a rare environment. This time he gets to lead and pick the tracks. A great find.This needs to be added to a serious jazz library, as the important jazz figure he is.

Ron Adelaar is a Dutch-based pianist and composer of neoclassical, meditative piano compositions. Besides that he is A&R manager at Andante Piano, sublabel of Disruptive Records run by his son Ivo Adelaar. Ron had an early introduction to piano music, as he started his career at the age of 13 by playing the organ and piano at several churches in his hometown Amersfoort (The Netherlands), all together with his father Ton Adelaar who played the flute. After that, and now for already 37 years, Ron is a pianist and conductor of a choir in Amersfoort. His passion has always been to create his own contemporary compositions and share it with others. Because of the technical possibilities these days he’s finally able to share his own piano compositions with the rest of the world, all recorded in his home piano studio. Ron’s neoclassical piano compositions contribute to relax, meditate or to maintain concentration and focus during work.

"From The Forgotten Rooms Of A Lonely House" is a limited edition album of only 400 copies, offered as a free gift to visitors of the concerts held on December 30, 2011 and January 8th, 2012. The first three tracks on this album are live-pieces by the quartet MorPheuSz (Eric, Frank, Harold and Ron).
Compared too the mellow "Garden Gomblins…" album, the band here plays more dynamic and melodic/progessive music, including glowing versions of "Another Timeroom" and "Da Capo".
The other four tracks are solo creations by Ron Boots created in his own studio, kicking off with the beautiful, slightly dark space music of "Lost Stars"…