Rosa Ponselle (1897-1981) was arguably this century's greatest soprano. Artists such as Callas and Caruso acknowledged her vocal supremacy. Ponselle's voice had volume, beauty, emotion, sure intonation and remarkable flexibility. This two-CD set chronicles the second volume of her on the air recordings from 1936-1937. By Ponselle's own account, her broadcasts captured her true voice and she preferred these performances to her numerous commercial recordings. This set has been produced in association with the Rosa Ponselle Foundation and a portion of the sales will go to the Rosa Ponselle Scholarship Fund.
Those early Ponselle records have unique qualities. She was at the age of the characters she was portraying, in her impulsiveness (incredibly controlled by technique and taste) singing every note and emotion with the freshness of youth in life's spring. This with the most glorious voice that ever came from any woman's throat in the Italian repertory, with a precocious sense of line, style, and emotional honesty…
Rosa Ponselle (January 22, 1897 – May 25, 1981), was an American operatic soprano with a large, opulent voice. She sang mainly at the New York Metropolitan Opera and is generally considered by music critics to have been one of the greatest sopranos of the past 100 years.
She was born Rosa Ponzillo on January 22, 1897, in Meriden, Connecticut, the youngest of three children. The family lived on the city's west side in a neighborhood chiefly populated by immigrants from the south of Italy, first at the corner of Lewis Avenue and Bartlett Street, then on Foster Street, where…
Rosa Ponselle was arguably this century's greatest soprano. Artists such as Callas and Caruso acknowledged her vocal supremacy. Ponselle's voice had volume, beauty, emotion, sure intonation and remarkable flexibility. Before Rosa Ponselle (1897-1981), there had been no leading American singer who had not first made his or her mark abroad. This two-CD set marks the first volume of her on the air recordings. By Ponselle's own account, her broadcasts captured her true voice and she preferred these performances to her numerous commercial recordings. This set chronicles the Chesterfield broadcasts from 1934-1936 which demonstrate Ponselle at her best.
For Romophone, 'complete' means just that. The Ponselle has every playable 'take' made in that period, issued or not, seventeen of them, all fascinating, many never available before and none so precisely pitched…. Ponselle's Romophone CD is self-recommending. What a voice! True, the recordings are, for the most part, primitive in comparison to what we have today. Even so, this glorious and honest voice, so free of artsy affectation, reveals a beauty and artistry that has its roots in the simple perfection of classical Greece and Rome.
Legendary soprano Rosa Ponselle recalled these sessions taped by RCA in her Baltimore home as the only time she enjoyed making records. Fourteen years after her abrupt retirement from opera, her voluptuous instrument (ruby red in the '39 Victors and now tinged with purple) soars to better advantage in the amplitude of her spacious music room than within the cramped confines of the recording studio. Whether in Beethoven, Schubert, Debussy, Mozart, or Tosti songs, or chestnuts like "Drink To Me Only With Thine Eyes," the vocalism is always informed by Ponselle's musical intelligence and sense of style. Romophone brings together all the material from these home sessions, including 75 minutes of music not issued by RCA, plus a promotional interview that reveals a warm, down-to-earth persona quite different from your typical diva stereotype. Ponselle fans need no encouragement to acquire this set.
Rosa Ponselle was one of the greatest sopranos of the century and this superb collection of recordings from her prime makes that evident. Some have long been the standards against which all others are judged–the Aida tomb scene with Giovanni Martinelli, the Norma "Casta Diva," and much else. Her famous Norma duet, "Mia, o Norma," with Marion Telvey is here, still striking sparks. Lots of Verdi–the big arias and duets from Aida, Trovatore, and Ernani, all sung in a big, stunningly beautiful voice alive to textual nuances. The arias from Spontini's La Vestale are wondrous, but so are the parlor songs, the 1920s "crossover" equivalents. Marston includes several alternate takes, and the transfers are excellent. This should be a cornerstone of any operatic collection.
Verdi at the Met captures the drama of Verdi's greatest operas as they were performed live at The Metropolitan Opera in New York. These ten recordings cover four decades starting with La Traviata in 1935 and feature some of the best-loved voices and conductors of the twentieth century. The famous pairing of tenor Richard Tucker and baritone Leonard Warren can be heard in Simon Boccanegra and La Forza del Destino.
10 CD Wallet Box of the greatest voices in Opera including Maria Callas, Rosa Ponselle, Kirsten Flagstad, Lotte Lehman, Enrico Caruso, Giuseppe Stefano, Benjamino Gigli, Lauritz Melchior, Richard Tauber and Tito Gobbi.