Ross Buzzel

Import only single disc edition of the R&B diva's 2001 greatest hits collection containing tracks culled from the limited double disc edition, including the track 'Goin' Back' which was specifically recorded for this release. Though best remembered for her stint in the '60s fronting Motown favorites The Supremes, Miss Ross enjoyed a successful career throughout the '70s and '80s which included a plethora of hits as well as acclaimed acting roles. This collection not only features her biggest solo hits, it also contains a few Supremes favorites as well. Features 21 tracks including, 'You Can't Hurry Love', 'Touch Me In The Morning', 'Love Hangover', 'Theme From Mahogany (Do You Know Where You're Going To?)', 'Muscles', 'Endless Love' (with Lionel Ritchie), 'Chain Reaction' and more. EMI.

Import only single disc edition of the R&B diva's 2001 greatest hits collection containing tracks culled from the limited double disc edition, including the track 'Goin' Back' which was specifically recorded for this release. Though best remembered for her stint in the '60s fronting Motown favorites The Supremes, Miss Ross enjoyed a successful career throughout the '70s and '80s which included a plethora of hits as well as acclaimed acting roles. This collection not only features her biggest solo hits, it also contains a few Supremes favorites as well. Features 21 tracks including, 'You Can't Hurry Love', 'Touch Me In The Morning', 'Love Hangover', 'Theme From Mahogany (Do You Know Where You're Going To?)', 'Muscles', 'Endless Love' (with Lionel Ritchie), 'Chain Reaction' and more. EMI.

Import only single disc edition of the R&B diva's 2001 greatest hits collection containing tracks culled from the limited double disc edition, including the track 'Goin' Back' which was specifically recorded for this release. Though best remembered for her stint in the '60s fronting Motown favorites The Supremes, Miss Ross enjoyed a successful career throughout the '70s and '80s which included a plethora of hits as well as acclaimed acting roles. This collection not only features her biggest solo hits, it also contains a few Supremes favorites as well. Features 21 tracks including, 'You Can't Hurry Love', 'Touch Me In The Morning', 'Love Hangover', 'Theme From Mahogany (Do You Know Where You're Going To?)', 'Muscles', 'Endless Love' (with Lionel Ritchie), 'Chain Reaction' and more. EMI.

Avec sa carrière d’artiste solo, Diana Ross s’inscrit parmi les chanteuses les plus couronnées de succès de l’ère du rock. Si l’on considère sa participation dans les années 60 en tant que chanteuse principale dans le groupe the Supremes, peut-être est-elle même la chanteuse qui a connu le plus grand succès. Elle lance sa carrière solo en 1969 et se tourne vers le cinéma en 1972, figurant dans une biographie filmée de Billie Holiday, Lady Sings the Blues. La bande-son est nº 1 des classements et elle se voit décerner un Academy Award. Elle enregistre le plus gros tube de sa carrière en 1981, un duo avec Lionel Richie intitulé "Endless Love."

Avec sa carrière d’artiste solo, Diana Ross s’inscrit parmi les chanteuses les plus couronnées de succès de l’ère du rock. Si l’on considère sa participation dans les années 60 en tant que chanteuse principale dans le groupe the Supremes, peut-être est-elle même la chanteuse qui a connu le plus grand succès. Elle lance sa carrière solo en 1969 et se tourne vers le cinéma en 1972, figurant dans une biographie filmée de Billie Holiday, Lady Sings the Blues. La bande-son est nº 1 des classements et elle se voit décerner un Academy Award. Elle enregistre le plus gros tube de sa carrière en 1981, un duo avec Lionel Richie intitulé "Endless Love."

"Diana Ross" (later reissued rarely as "Ain't No Mountain High Enough") was the debut solo album for Diana Ross. It reached #19 in the USA (#1 R&B) and sold over 500,000 copies. The album was the ultimate test to see if the former Supremes frontwoman could make it as a solo act. With the help of the songwriting-producing team of Nickolas Ashford & Valerie Simpson, Ross turned out a successful album. Ross did extensive work with other producers before settling with Ashford & Simpson, including Johnny Bristol, producer of her final single with The Supremes, "Someday We'll Be Together". Bristol here produces "These Things Will Keep Me Loving You" (which was a UK hit when originally recorded by The Velvelettes); the rest of the LP is fully written and produced by Ashford & Simpson.

Avec sa carrière d’artiste solo, Diana Ross s’inscrit parmi les chanteuses les plus couronnées de succès de l’ère du rock. Si l’on considère sa participation dans les années 60 en tant que chanteuse principale dans le groupe the Supremes, peut-être est-elle même la chanteuse qui a connu le plus grand succès. Elle lance sa carrière solo en 1969 et se tourne vers le cinéma en 1972, figurant dans une biographie filmée de Billie Holiday, Lady Sings the Blues. La bande-son est nº 1 des classements et elle se voit décerner un Academy Award. Elle enregistre le plus gros tube de sa carrière en 1981, un duo avec Lionel Richie intitulé "Endless Love."

When Diana Ross turned to the then lava-hot Chic Organization in late 1979 to produce her, she made one of the smartest moves of her career. Ms Ross was seen as somewhat past her best by this time; she had been a star for best part of 20 years with a diva-esque reputation and three children. Nile Rodgers and Bernard Edwards' had only been stars for little over two years. It was clear to them both that in order to move forward, Ross had to be turned upside down, come out of the superstar bubble she was in, and most importantly, to have fun again.

Scott Ross was an American harpsichordist who was both popular and renowned for his brilliant technique and insightful interpretations. He recorded the complete works of Scarlatti, Rameau, and Couperin, three composers, along with J.S. Bach, whose music he became identified with over his brief career. Ross was also a highly respected harpsichord teacher in Canada and France. Ross's father died in 1956, about the time young Scott began showing strong interest in music. The following year, he began studies on organ and piano. In 1964, at age 13, he moved to France with his mother and brother (who together would later move back to the U.S.) and the next year enrolled at the Nice Conservatory, where he studied under Huguette Grémy-Chauliac (harpsichord) and René Saorgin (organ). He left in 1968, receiving first prize at his graduation recital. While his studies had included organ, the instrument he strongly favored in his early years in France, he began focusing on the harpsichord toward the later 1960s.