Russian Artist
Russian artist Dmitry Levin (1955) Graphics
Posted by Detvora at Feb. 7, 2014
Russian Artist Boris Zworykin (1872 - 1942) Graphics
Posted by Detvora at March 7, 2014
Russian Artist Vasiliy Polenov (1844-1927) Graphics
Posted by Detvora at March 28, 2014
Malevich and Interwar Modernism: Russian Art and the International of the Square eBooks & eLearning
Posted by IrGens at April 8, 2023
Malevich and Interwar Modernism: Russian Art and the International of the Square by Éva Forgács
English | February 24, 2022 | ISBN: 135020417X, 1350204218 | True EPUB/PDF | 328 pages | 3.4/24.4 MB
English | February 24, 2022 | ISBN: 135020417X, 1350204218 | True EPUB/PDF | 328 pages | 3.4/24.4 MB
Malevich and Interwar Modernism: Russian Art and the International of the Square eBooks & eLearning
Posted by interes at March 22, 2022
Malevich and Interwar Modernism: Russian Art and the International of the Square by Éva Forgács
English | February 24, 2022 | ISBN: 135020417X | 328 pages | PDF | 10 MB
English | February 24, 2022 | ISBN: 135020417X | 328 pages | PDF | 10 MB
Art and Revolution: Ernst Neizvestny, Endurance, and the Role of the Artist eBooks & eLearning
Posted by tarantoga at Oct. 30, 2016
John Berger, "Art and Revolution: Ernst Neizvestny, Endurance, and the Role of the Artist"
ISBN: 0679737278 | 1998 | EPUB | 192 pages | 13 MB
Russian Central Asia in the Works of Nikolai Karazin, 1842–1908: Ambivalent Triumph eBooks & eLearning
Posted by AvaxGenius at Aug. 4, 2021
Russian Central Asia in the Works of Nikolai Karazin, 1842–1908: Ambivalent Triumph by Elena Andreeva
English | EPUB | 2021 | 374 Pages | ISBN : 3030363376 | 49.2 MB
“The manuscript provides a deep reading of Nikolai Karazin’s works and his relationship with Central Asia. Certainly, Elena Andreeva shows how Karazin’s prolific creations have much to tell us about Russian imperialism, colonial and local society as well as Russians’ self-identity as colonizers and Europeans. The work offers an original contribution to the scholarship on Russian imperial history and that of Central Asia, and Russian literary history also. Karazin’s importance—at the time and now—is appropriately highlighted.”
- Jeff Sahadeo, Associate Professor, Carleton University, Canada
Russian Central Asia in the Works of Nikolai Karazin, 1842–1908: Ambivalent Triumph eBooks & eLearning
Posted by AvaxGenius at June 24, 2021
Russian Central Asia in the Works of Nikolai Karazin, 1842–1908: Ambivalent Triumph by Elena Andreeva
English | PDF | 2021 | 374 Pages | ISBN : 3030363376 | 7.8 MB
“The manuscript provides a deep reading of Nikolai Karazin’s works and his relationship with Central Asia. Certainly, Elena Andreeva shows how Karazin’s prolific creations have much to tell us about Russian imperialism, colonial and local society as well as Russians’ self-identity as colonizers and Europeans. The work offers an original contribution to the scholarship on Russian imperial history and that of Central Asia, and Russian literary history also. Karazin’s importance—at the time and now—is appropriately highlighted.”
Art and Revolution: Ernst Neizvestny, Endurance, and the Role of the Artist eBooks & eLearning
Posted by step778 at Nov. 9, 2023
John Berger, "Art and Revolution: Ernst Neizvestny, Endurance, and the Role of the Artist"
English | 1998 | pages: 192 | ISBN: 0679737278 | EPUB | 12,8 mb
English | 1998 | pages: 192 | ISBN: 0679737278 | EPUB | 12,8 mb
Russian Chamber Music of the Twenties Music
Posted by philomene at Oct. 6, 2012
Sergey Prokofiev | Vladimir Shcherbachov | Nikolay Roslavets (1993)
Alexander Lazarev (Conductor), Soloists of the Bolshoy Theatre Orchestra, Moscow
XLD Rip | lossless | FLAC (Tracks)+LOG+CUE+Scans (600dpi) | 65:22 min | 347MB
Label: Le Chant du Monde | Genre: Classical / style: Chamber Music
Alexander Lazarev (Conductor), Soloists of the Bolshoy Theatre Orchestra, Moscow
XLD Rip | lossless | FLAC (Tracks)+LOG+CUE+Scans (600dpi) | 65:22 min | 347MB
Label: Le Chant du Monde | Genre: Classical / style: Chamber Music
This record gives us a survey of Russian music of the twenties in all its diversity, its complexity and all its ambivalence, and affords a glimpse of numerous phenomena with a bearing on analogous processes in western culture of the period. Russian music of the first post-revolutionary decade is here represented by the works of three composers of totally different personalities and scope : Sergey Prokofiev, the young iconoclast, the revolutionary who burst upon the traditional musical scene and, as Mayakovsky said, asserted himself "with weight, brutality and ostentation"; Vladimir Shcherbachov, the heir of the academic traditions of the Saint Petersburg school; and Nikolay Roslavets, that marvellous Russian artist who, after a period of unjust oblivion, has today become the centre of constantly growing interest on the part of music lovers and musicologists.(Booklet Extract)