Ryuichi Sakamoto Social Project

Longtime friends and collaborators David Sylvian and Ryuichi Sakamoto released their work via David's Samadhi Sound label. Sylvian and Sakamoto worked together for the first time in 1982 when they wrote the double A side "Bamboo Music/Bamboo Houses". "World Citizen" was created as part of a project called 'Chain Music' instigated by Ryuichi. "Its skewed pop recalls Bowie's Hunky Dory, and pinpoints the human cost of superpower recklessness, prompting a standing ovation for pop music's most mercurial refusenik-turned-prodigal son" - The Guardian (on a live performance of World Citizen). Sylvian and Sakamoto have not released a record together for 21 years, which makes this a very special release.

A varied soundtrack album that manages to weave in a little variation from the traditional type of motion picture scoring indulged in here by Sakamoto. Part of the reason for the variation is that only twelve of the album's 21 tracks are by Sakamoto – several are source music, others were composed by Richard Horowitz. The diversity thus makes for a more interesting album than might have been had from variations on the main minor-key "Sheltering Sky" theme (presented here in orchestrated and piano-based versions.) It also breaks away from the sound of Sakamoto's recordings, strong material that suffers from a certain digital harshness in the strings. Horowitz' part in this is in stepping away from traditional Western scoring and using Middle Eastern elements for score structures – something that's very effective indeed on "Fever Ride" with its blend of Moroccan and Spanish elements. Where Sakamoto easily sketches panorama with his music, Horowitz sketches in mystery. The local source music, too, adds to this, giving the album a grounding in the real world that completes the overall structure. An excellent album that can easily be recommended for more than just soundtrack aficionados.

A very rare CD, sent out for free during three months in Japan only, to people who had bought the previous three compilation CDs (US, UF & CM/TV) and who sent in vouchers to prove it. Most of the tracks are 'rarities' and this CD was never available commercially.

"Bricolage," a French word meaning to assemble something from available materials, is such a perfect term for the art of the remix that it's surprising no one has ever used it before. It's less surprising that Ryuichi Sakamoto, whose work has always had a cool Continental flair despite the artist's Japanese roots, would choose such an elegant term for his swish remix collection. Focusing on reworks of material from 2005's back-to-the-roots electro-pop experiment Chasm, Bricolages features a cross-cultural and cross-generational batch of remixers including Cornelius, whose playful sense of pastiche is to current hipster Japanese pop what Sakamoto's Yellow Magic Orchestra was a quarter-century before; his take on the spoken word cut-up "War & Peace" is considerably lighter and groovier than Aoki Takamasa's tense, austere version. Former Japan drummer Steve Jansen, whose collaboration with Sakamoto goes back to the early '80s, contributes the skittering "Break With," bridging the gap between new wave disco and contemporary IDM.