s j d Peterson
«Essence of the Challenge» by S.J.D. Peterson eBooks & eLearning
Posted by Gelsomino at Sept. 26, 2019
«Fractured Hearts» by S.J.D. Peterson eBooks & eLearning
Posted by Gelsomino at Oct. 23, 2019
The Oscar Peterson Trio - We Get Requests (1964) [Reissue 1997] Music
Posted by gribovar at May 4, 2020
![The Oscar Peterson Trio - We Get Requests (1964) [Reissue 1997]](https://pixhost.icu/avaxhome/a2/41/007741a2_medium.jpg)
The Oscar Peterson Trio - We Get Requests (1964) [Reissue 1997]
EAC Rip | FLAC (tracks+.cue+log) - 239 MB | MP3 CBR 320 kbps (LAME 3.93) - 94 MB | Covers - 20 MB
Genre: Jazz | RAR 3% Rec. | Label: Verve (0602498840429)
EAC Rip | FLAC (tracks+.cue+log) - 239 MB | MP3 CBR 320 kbps (LAME 3.93) - 94 MB | Covers - 20 MB
Genre: Jazz | RAR 3% Rec. | Label: Verve (0602498840429)
Pianist Oscar Peterson has long been such a consistent performer that none of his records are throwaways, but this particular set is weaker than most. Since several of the songs are the type that in the mid-'60s would get requested (such as "People," "The Girl from Ipanema," and "The Days of Wine and Roses"), the program would not seem to have much potential, but Peterson mostly uplifts the material (although not much could be done with "People") and adds a few songs (such as his own "Goodbye, J.D." and John Lewis' "D & E"). Overall, this is a reasonably enjoyable Oscar Peterson session, featuring bassist Ray Brown and drummer Ed Thigpen.
Oscar Peterson Trio - We Get Requests (1964) [Analogue Productions 2011] MCH PS3 ISO + DSD64 + Hi-Res FLAC Vinyl & HR
Posted by HDAtall at Nov. 16, 2024
![Oscar Peterson Trio - We Get Requests (1964) [Analogue Productions 2011] MCH PS3 ISO + DSD64 + Hi-Res FLAC](https://pixhost.icu/avaxhome/70/70c7/70c7395eea5a4a688a4c83b7a32749a1-17952430383726544559_medium.webp)
Oscar Peterson Trio - We Get Requests (1964) [APO Remaster 2011]
PS3 Rip | SACD ISO | DSD64/DST64 2.0 & 3.0 > 1-bit/2.8224 MHz | 39:55 minutes | Full Scans included | 2,12 GB
or DSD64 2.0 Stereo (from SACD-ISO to Tracks.dsf) > 1-bit/2.8224 MHz | 40:00 min | Full Scans included | 1013 MB
or FLAC 2.0 Stereo (carefully converted & encoded to tracks) 24bit/48 kHz | 40:00 | Full Scans included | 485 MB
When Jim Davis started producing records at Verve, he changed the company's recording philosophy toward its most prolific instrumentalist. Where Norman Granz had produced countless Oscar Peterson albums dedicated to the popular song, Davis was more interested in making albums closer to how the Peterson trio sounded live. His first Peterson records were the legendary London House sessions. By the time of this album, there had been no personnel change in the trio for five years - so it is no surprise that the rapport among the musicians here is telepathic. This album is Peterson's last of his fourteen-year work with Verve.
The Oscar Peterson Trio - We Get Requests (1964) [Analogue Productions, Remastered 2011] Music
Posted by Designol at Oct. 31, 2022
![The Oscar Peterson Trio - We Get Requests (1964) [Analogue Productions, Remastered 2011]](https://pixhost.icu/avaxhome/7e/00/0048007e_medium.jpg)
The Oscar Peterson Trio - We Get Requests (1964) [Remastered 2011]
EAC | FLAC | Tracks (Cue&Log) ~ 235 Mb | Mp3 (CBR320) ~ 116 Mb | Scans included | 00:40:20
Bop, Swing, Mainstream Jazz | Label: Analogue Productions, Verve | # CVRJ 8606 SA
EAC | FLAC | Tracks (Cue&Log) ~ 235 Mb | Mp3 (CBR320) ~ 116 Mb | Scans included | 00:40:20
Bop, Swing, Mainstream Jazz | Label: Analogue Productions, Verve | # CVRJ 8606 SA
Mastered by George Marino at Sterling Sound from the original master tapes to vinyl and PCM. This 1964 studio session features the Peterson trio with bassist Ray Brown and Ed Thigpen, a group that had been together for five years by then and performed like a well-oiled machine. The repertoire is mostly pop songs of the day, including bossa nova tunes and film themes, and the treatments are fairly brief, with emphasis placed squarely on the melodies. Even in their lightest moments, though, the group demonstrates some of the qualities that made it among the most influential piano trios in jazz, a group that could generate tremendous rhythmic energy and a sense of developing musical detail. For all his legendary force, Peterson possesses a subtle rhythmic sense, and here he infuses even "People" with an undercurrent of swing. This is undemanding, tuneful music best suited for casual listening, but it still sparkles with the trio's customary élan.
The Oscar Peterson Trio - We Get Requests (1965/2015) [Official Digital Download 24bit/96kHz] Vinyl & HR
Posted by HDV at April 25, 2023
![The Oscar Peterson Trio - We Get Requests (1965/2015) [Official Digital Download 24bit/96kHz]](https://pixhost.icu/avaxhome/b7/66/003766b7_medium.jpeg)
The Oscar Peterson Trio - We Get Requests (1965/2015)
FLAC (tracks) 24 bit/96 kHz | Time - 40:37 minutes | 897 MB
Studio Master, Official Digital Download | Artwork: Front cover
This 1964 session from Oscar Peterson, bassist Ray Brown and drummer Ed Thigpen is loaded with standards and pop hits, from Barbra Streisand's signature People to The Girl From Ipanema. The set concludes with a Peterson original entitled Goodbye J.D.
Oscar Peterson Trio - We Get Requests (1964/2011) [DSD64 + Hi-Res FLAC] Vinyl & HR
Posted by HDV at April 22, 2024
![Oscar Peterson Trio - We Get Requests (1964/2011) [DSD64 + Hi-Res FLAC]](https://pixhost.icu/avaxhome/6c/0a/00620a6c_medium.jpg)
Oscar Peterson Trio - We Get Requests (1964/2011)
DSD64 (.dsf) 1 bit/2,8 MHz | Time - 40:27 minutes | 984 MB
FLAC (tracks) 24-bit/96 kHz | Time - 40:27 minutes | 871 MB
Studio Master, Official Digital Download | Artwork: Front cover
When Jim Davis started producing records at Verve, he changed the company's recording philosophy toward its most prolific instrumentalist. Where Norman Granz had produced countless Oscar Peterson albums dedicated to the popular song, Davis was more interested in making albums closer to how the Peterson trio sounded live. His first Peterson records were the legendary London House sessions. By the time of this album, there had been no personnel change in the trio for five years - so it is no surprise that the rapport among the musicians here is telepathic.
Oscar Peterson - Hits & Rarities (2022) Music
Posted by Rtax at Oct. 17, 2022
Oscar Peterson - Hits & Rarities (2022)
WEB FLAC (tracks) - 1.8 GB | MP3 CBR 320 kbps - 881 MB
6:13:26 | Jazz | Label: UMG
WEB FLAC (tracks) - 1.8 GB | MP3 CBR 320 kbps - 881 MB
6:13:26 | Jazz | Label: UMG
Oscar Peterson was one of the greatest piano players of all time. A pianist with phenomenal technique on the level of his idol, Art Tatum, Peterson's speed, dexterity, and ability to swing at any tempo were amazing. Very effective in small groups, jam sessions, and in accompanying singers, O.P. was at his absolute best when performing unaccompanied solos. His original style did not fall into any specific idiom. Like Erroll Garner and George Shearing, Peterson's distinctive playing formed during the mid- to late '40s and fell somewhere between swing and bop. Peterson was criticized through the years because he used so many notes, didn't evolve much since the 1950s, and recorded a remarkable number of albums. Perhaps it is because critics ran out of favorable adjectives to use early in his career; certainly it can be said that Peterson played 100 notes when other pianists might have used ten, but all 100 usually fit, and there is nothing wrong with showing off technique when it serves the music.
Oscar Peterson Trio - We Get Requests (1965) [Japanese Limited SHM-SACD 2010] SACD ISO + DSD64 + Hi-Res FLAC Vinyl & HR
Posted by HDAtall at Nov. 16, 2024
![Oscar Peterson Trio - We Get Requests (1965) [Japanese Limited SHM-SACD 2010] SACD ISO + DSD64 + Hi-Res FLAC](https://pixhost.icu/avaxhome/10/105e/105e367bc5df402794f44c2b573fd08e-14010243008816169115_medium.webp)
The Oscar Peterson Trio - We Get Requests (1965) [Japanese SHM-SACD 2010]
SACD Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 40:40 minutes | Scans included | 1,19 GB
or DSD64 2.0 (from SACD-ISO to Tracks.dsf) > 1-bit/2.8224 MHz | Full Scans included | 1,06 GB
or FLAC (carefully converted & encoded to tracks) 24bit/96 kHz | Full Scans included | 954 MB
We Get Requests is an album by jazz pianist Oscar Peterson and his trio, released in 1964. It was recorded at RCA Studios New York City. This album is Peterson's last of his fourteen-year work with Verve.
Oscar Peterson - Tracks (1970) Remastered Reissue 2005 Music
Posted by Designol at Feb. 12, 2024
Oscar Peterson - Tracks (1970) Remastered Reissue 2005
EAC | FLAC | Tracks (Cue&Log) ~ 199 Mb | Mp3 (CBR320) ~ 100 Mb | Scans included
Mainstream Jazz, Bop, Piano Jazz | Label: MPS | # B0005401-02 | 00:42:26
EAC | FLAC | Tracks (Cue&Log) ~ 199 Mb | Mp3 (CBR320) ~ 100 Mb | Scans included
Mainstream Jazz, Bop, Piano Jazz | Label: MPS | # B0005401-02 | 00:42:26
Pianist Oscar Peterson is frequently astounding on this solo set. After nearly 20 years of mostly performing with trios, Peterson sounds quite liberated in this setting, throwing in some hot stride, unexpected changes in tempos and keys, and surprises whenever he thinks of them. "Give Me the Simple Life," "Honeysuckle Rose," and the ironically titled "A Little Jazz Exercise" are quite remarkable, yet Peterson also leaves space for some sensitive ballads.