Ike Quebec released a string of albums for blue note (for whom he was an A&R man as well as friend to owner Alfred Lion) during the early sixties, all of which are fantastic showcases for the deepest tenor sound this side of Ben Webster. Keeping in mind the overall greatness of the entire series of these albums the question becomes, for the Quebec fan who is looking to pick through his discography or the uninitiated looking for a place to start, what setting would you prefer to hear him in? ~ Amazon
Ce pourrait être le titre d'un roman de Tolstoï. Jean-Louis Murat a choisi de baptiser son album Le Moujik et sa femme du nom de la formation qui a enregistré ce disque. Après l'expérience étonnante (et électronique) de Muragostang, Jean-Louis Murat reprend goût aux choses plus naturelles. Un retour à la musique organique, et aux chansons pop à guitares.
Gentleman Milt Jackson pays tribute to a cross-section of female singers whom he has admired for over a half a century on this unpretentious straight-ahead CD. Moreover, Milt is enough of a gentleman not to mention any names in the booklet, presumably so as to not leave anyone out. But you can tell by many of the titles just whom he is referring to; needless to say, "A Tisket A Tasket" cannot refer to anyone else but Ella, "What a Difference a Day Made" is Dinah Washington, etc. Pianist Michael LeDonne, bassist Bob Cranshaw and drummer Mickey Roker make up the first-class, lightly swinging rhythm section, and Etta Jones' smoky vocals decorate three of the tunes as ambassador for her gender. Best of all is when the MJQ stalwart loosens his tie and gets to jam a bit on his own funky "Blues for Queen 'D.'"
… A critic once wrote: “Fleet- fingered pianists are a dime a dozen today – where are the musicians?” From the haunting opening measures of the Rachmaninoff Etude-Tableau Op.33 No.2, it’s clear that Sa Chen is a musician of the first-rank, one who combines a flawless technique with an innate musicality. She presents 6 Etudes in all, drawn from Opp.33 and 39, and throughout, her playing is marked by a delicacy of shading with never a moment of bravura for its own sake.
Although Mozart is known primarily as a pianist, he was a violinist at the court of Salzburg until he walked out in 1781 to carry out an independent career in Vienna. These sonatas belong to two sets of six, one published in Paris in 1778, when Mozart first sought to leave Salzburg, the other in Vienna in 1781, right after he resigned. These pieces were meant to serve as a calling card, but Mozart went well beyond this sole intention.
This box with Thåström summarizes his work as a solo artist. The box contains no music with Ebba Grön, Imperiet, Peace, Love & Pitbulls and Sällskapet, focusing solely on his work as an artist in his own name. Eight albums: Thåström (1989), Xplodera mig 2000 (1991), Det är ni som e konstiga det är jag som en normal (1999), Mannen som blev en gris (2002), Skebokvarnsv. 209 (2005), Kärlek är för dom (2009), Beväpna dig med vingar (2012) and Den morronen (2015). Plus 22 bonus tracks. New songs, rework, demos, alternate takes, covers. Among other things, an unreleased recording Cornelis Vreeswijks 'Veronica'.