With Eyes Of The Heart, musician’s musician Keith Jarrett landed one of his last American Quartet flights. This live performance, recorded just one month after The Survivors’ Suite, is a journey of a rather different stripe. Jarrett whoops with delight as he opens Part One in a delicate congregation of drums. The kalimba-like bass of Charlie Haden hops from one foot to another as Jarrett looses a soprano sax into the prevailing winds. Only later does the expected piano shine through his fingertips.
With Eyes Of The Heart, musician’s musician Keith Jarrett landed one of his last American Quartet flights. This live performance, recorded just one month after The Survivors’ Suite, is a journey of a rather different stripe. Jarrett whoops with delight as he opens Part One in a delicate congregation of drums. The kalimba-like bass of Charlie Haden hops from one foot to another as Jarrett looses a soprano sax into the prevailing winds. Only later does the expected piano shine through his fingertips. Writ somehow large with modest articulations, his right hand brings gradual insistence until the melody and the moment become one, each frame sped into a single moving image. Part Two begins with more lovely pianism, this time with grittier chording and the added sheen of Paul Motian’s kit work. An insistent vamp unravels Dewey Redman’s dazzling alto, and cushions the applause that follow.
El Juicio (The Judgement) is an album by pianist Keith Jarrett recorded in 1971 and released in 1975. On four days in July and one in August 1971, Jarrett went into the Atlantic Recording Studios with his trio (Charlie Haden and Paul Motian), plus Dewey Redman on tenor saxophone, and produced enough music for three albums: The Mourning of a Star (released in 1971), El Juicio (The Judgement) and Birth (released in 1972). Accordingly, the 1971 sessions mark the emergence of what would be later called Jarrett's "American quartet."
Keith Jarrett returns to his roots, both musically and physically, on this CD. His first significant jazz gig was at the Deer Head Inn in Allentown, PA (his hometown) and 30 years later Jarrett agreed to perform at the venue again. With the assistance of bassist Gary Peacock and drummer Paul Motian, Jarrett plays six jazz standards (several of which were associated with Miles Davis) plus Jaki Byard's medium-tempo blues, "Chandra." The inventive interpretations give listeners plenty of surprises and variety, making this a very enjoyable outing.
Coming so quickly after the release of Multitude of Angels and being from the same time as Koln Concert, I initially thought that Keith and ECM were looking at releasing more of his treasure trove of a back catalogue. However, this is a recording from Hi-Hat and an explanatory note says "All our releases feature historical live FM recordings from the '60s, '70s and '80s and although the sound may not (despite extensive professional remastering) always be of the highest quality, we are sure that you will enjoy the musical experience of these wonderful performances".
The selections included in "Life Between The Exit Signs" reflect the experience and abilities of Motian and Haden and Jarrett's understanding of the further potential of their innate musicality.