When he died, Nicolaus Bruhns was just 31 years old, and only twelve of his vocal works and five organ compositions have survived. On the strength of these, he is nevertheless considered one of the most prominent North German composers of the generation between Buxtehude and Bach. Buxtehude was in fact Bruhns teacher, and thought so highly of him that recommended him for a position in Copenhagen. There he worked as a violin virtuoso and composer until 1689, when he returned to Northern Germany to become organist in the main church of Husum. It was here that most if not all of the extant works were performed.
When he died, Nicolaus Bruhns was just 31 years old, and only twelve of his vocal works and five organ compositions have survived. On the strength of these, he is nevertheless considered one of the most prominent North German composers of the generation between Buxtehude and Bach. Buxtehude was in fact Bruhns teacher, and thought so highly of him that recommended him for a position in Copenhagen. There he worked as a violin virtuoso and composer until 1689, when he returned to Northern Germany to become organist in the main church of Husum. It was here that most if not all of the extant works were performed.
Anima mea explores the Christian concept of the soul through these masterpieces of medieval Sacred Music. Hildegard of Bingen’s beautifully exalted harmonies represent God’s order in the music of the spheres. The recently rediscovered Erfurt Ritual contains sung music from Master Eckhart’s historical context. These antiphons are performed here for the first time since 1525, along with chants from the liturgy of the Roman mass, music from the Notre Dame School, and a glorious Magnificat. The German duo Ensemble Cosmedin, who take their name from a church in Rome, are considered one of the leading ensembles for medieval and modern sacred music. Music of the soul—gentle and luminous.
This spectacular set features a quintessential selection of western sacred music that that will please one and all, from an inquisitive novice to a discerning connoisseur. It features a vast array of critically acclaimed recordings of more than seventy cornerstone works, ranging from the earliest Christian chants to gospel songs and Gershwin's blues. The performers include some of today's finest artists, including René Jacobs, Philippe Herreweghe, Paul Hillier and William Christie. Offered at a special low price, this limited edition set is packaged in a luxury clamshell style box containing 29 discs of music and one PDF disc with sung texts.
Mozart 250th Anniversary Edition: Complete Sacred Music by Harnoncourt / Mozart / Vienna Concentus Musicus was released Sep 19, 2005 on the Warner Classics label. Mozart 250th Anniversary Edition: Complete Sacred Music is a 13-disc set.
Mozart 250th Anniversary Edition: Complete Sacred Music by Harnoncourt / Mozart / Vienna Concentus Musicus was released Sep 19, 2005 on the Warner Classics label. Mozart 250th Anniversary Edition: Complete Sacred Music is a 13-disc set.
Ten English composers set the Latin text of the Lamentations of Jeremiah in the mid-16th century, in the reigns both of the Catholic Queen Mary and the Protestant Elizabeth I. Precise details are hard to establish of when works were performed, as Andrew Carwood explains in an illuminating note to this disc, but there seems little doubt that Tallis, though a Catholic, wrote his masterpiece for Elizabeth. The repeated final lines, “Jerusalem, Jerusalem, turn to the Lord your God”, unforgettable once heard, have a dark resonance here, thanks to the sonorous basses of the Cardinall’s Musick (Robert Macdonald, Simon Whiteley). The rest of this fine recording draws on music from across Tallis’s career, with English and Latin settings (Sancte Deus, Te Deum, Come, Holy Ghost and more). The singers reach the highest standards.
Playing Elizabeth’s Tune, the television programme which The Tallis Scholars made for the BBC, explored the life and music of William Byrd, Catholic composer for a Protestant queen. In doing so it also illustrated the different styles which Byrd cultivated in his vocal music. This disc is a tribute to the all-round nature of his genius – to the kind of composer who could turn his hand to anything, and transform it.