Safety Activity And Immune Correlates of Antipd1 Antibody in Cancer

Although it was Donizetti’s first theatrical success, the original 1822 version of this violent love story was never given a complete performance because the tenor cast in the role of the hero died shortly before the first night. Even so, Donizetti quickly adapted this role for a mezzo-soprano, achieving his first theatrical success. Opera Rara presents the world premiere of the original tenor version. In addition the recording includes six more pieces written for the 1824 revival.

While most serious listeners already have their favorite sets of J.S. Bach's Brandenburg Concertos and the Orchestral Suites, newcomers searching for respectable recordings at a reasonable price would do well to start with this triple-CD set by Neville Marriner and the Academy of St. Martin-in-the-Fields. These recordings were made in 1984 and 1985, and still offer fine sound for early digital recording and exceptional musical value. Marriner's performances may not be as exacting and scrupulous about Baroque performance practice as those of Gustav Leonhardt or Trevor Pinnock, but they are informed by serious scholarship and have sufficient appeal to make the finer points debatable.

Violinist Joshua Bell and cellist Steven Isserlis are joined by two acclaimed musical forces - pianist Jeremy Denk and the Academy of St Martin in the Fields, of which Bell is Music Director – in a landmark joint recording, For the Love of Brahms (Sony Classical). Available September 30, 2016, the new album is a unique project that features works of Brahms and Schumann that Bell calls “music about love and friendship.” Bell, Isserlis and Denk unite here in Brahms’s first published chamber work, the Piano Trio in B Major, Op. 8 in its rarely performed original 1854 version. Isserlis also joins Bell – as violin soloist and director – and the Academy of St Martin in the Fields in Brahms’s last orchestral work, the celebrated Double Concerto (for Violin and Cello) in A Minor, Op. 102. Bell, Isserlis and members of the Academy also offer the first recording of an unusual coupling: the slow movement of Schumann’s rarely heard Violin Concerto, in a version for string orchestra made by Benjamin Britten, who also added a short coda.

No classical music collection would be complete without the music of the divine Wolfgang Amadeus Mozart! For this installment of the Premium Composers Series, two of the brightest jewels from the hänssler CLASSIC catalogue have been selected. Both of these recordings of Mozart Piano Concertos by Ivan Moravec and the Academy of St. Martin in the Fields with Sir Neville Marriner received global acclaim, and remain among the most perfect interpretations of Mozart's Piano Concertos committed to disc!