Saint Charbel

ll Pomo d’Oro and Zefira Valova focus here on the little-known violin concertos of the second half of the eighteenth century. Bringing together the works of Franz Benda and his elder Johann Gottlieb Graun (in a world premiere recording), pillars of the orchestra at the court of Frederick II of Prussia, as well as those of the Venetian virtuoso Maddalena Lombardini Sirmen and the iconoclastic Georges Bologne de Saint-Georges (also in a world premiere recording), this recording offers a bright panorama of the evolution of the genre, culminating in Mozart’s achievements in the last quarter of the century, of which Il Pomo d’Oro and Zefira Valova offer us a glimpse with the famous Rondo in C K. 373.

In a world full of couplings of Schumann and Grieg's Piano Concertos in A minor, this disc offers three distinct advantages. First and most obviously, it offers an additional work, Saint-Saëns' Piano Concerto in G minor, which brings the disc's total playing time up 78 minutes. Second, it offers up a soloist who's also the conductor, the multitalented Howard Shelley who directs England's Orchestra of Opera North from the keyboard.

Beyond their brilliant virtuosity and craftsmanship, Camille Saint-Saëns’s epic Piano Concerto No. 2 and irresistibly exotic No.5 (‘Egyptian’) invite listeners on a riveting and richly imaginative journey. Hailed ‘the new French prince of the piano’ (Diapason), Bertrand Chamayou also reveals a more intimate side to the great composer-pianist, exploring the hidden charm and secret sensuality of his rarely-heard etudes and solo piano miniatures.

2021 marks 100 years since the death of Camille Saint-Saëns, one of the acknowledged masters of French music. Pianist Bertrand Chamayou, violinist Renaud Capuçon and cellist Edgar Moreau salute him with this album of three of his finest chamber works: the Violin Sonata No 1, Cello Sonata No 1 and Piano Trio No 2. “These are splendid works,” says Bertrand Chamayou, “but only relatively rarely performed and recorded. This is essential French Romantic chamber music and French performers of our generation have a duty to share it with audiences.”

Tout le monde devrait connaitre certaines oeuvres classiques. Les requiems de Mozart ou de de Saint Sens en font parti, à mes yeux.

The two sonatas for cello and piano by Camille Saint-Saëns stand as bookends to what was an impressively long compositional career spanning more than seven decades. Much of Saint-Saëns' music for cello, including these two sonatas, has been dismissed as inferior and is rarely performed or recorded. Only the first cello concerto, often played by advanced students of the instrument, remains a common occurrence on disc or stage.

In a way, it is quite sensational to see another Morbid Saint album released at this point in time, meaning more than 30 years after their second LP “Destruction System” was recorded but not finished, only to be officially published recently. However, the prospect of delivering new music in their own unique death/thrash metal style was one of the main reasons why the core members reunited in 2010 in the first place. During its initial run from 1984 to ’94, the band wasn’t even close to having the final word, especially with regards to their seminal first record “Spectrum of Death” (1990). “Swallowed By Hell” was born from a remote creative exchange, with ideas being bounced back and forth between all members to create a ten-track barrage of extreme metal like it’s become rare these days - utterly punishing yet musically sophisticated, pushing limits but not for its own sake…

For her debut album on the yellow label Camille has chosen music full of youthful invention – uplifting and positive. She brings her own sensitive interpretation to the French Romantic works for cello and orchestra by Saint-Saëns and Offenbach, including the former’s First Cello Concerto, a masterpiece of its genre, and a delightful excerpt from the latter’s Harmonies des bois “Les Larmes de Jacqueline”. The album was recorded with the Orchestre National de Lille and Alexandre Bloch, and also includes guest appearances by tenor Rolando Villazón and violinist Nemanja Radulović.