Le toréador, ou L'accord parfait (The Toreador, or The Perfect Agreement) is an opéra comique in two acts by the French composer Adolphe Adam with a libretto by Thomas-Marie-François Sauvage. It was first performed at the Opéra-Comique, Paris on May 18, 1849. It was a huge success and the work regularly appeared in the repertoire of the Opéra-Comique until 1869.
Echo & The Bunnymen have announced the release of The John Peel Sessions 1979-1983 via Rhino on September 6. The double album features 21 tracks recorded for John Peel’s Radio 1 show during the early years of the band’s existence.
The Grass Roots had a series of major hits - most notably "Let's Live for Today," "Midnight Confessions," "Temptation Eyes," and "Two Divided by Love" - that help define the essence of the era's best AM radio. Although the group's members weren't even close to being recognizable, and their in-house songwriting was next to irrelevant, the Grass Roots managed to chart 14 Top 40 hits, including seven gold singles and one platinum single, and two had hits collections that effortlessly went gold.
It may be expensive, and two CDs of their work may seem like overkill, but this double-disc set is the one to get. Not only does it contain every hit and each single, and every B-side, from 1965's "Where Were You When I Needed You" through 1975's glorious "Mamacita," but the sound is extraordinary…
An appropriate title for an utterly charming set from the Three Sounds. The trio works familiar territory on Feelin' Good, playing a set of swinging hard bop and classy soul-jazz, but there's a definite spark in the air. Working from a diverse set of standards, originals, contemporary jazz, and blues, the Three Sounds created a cheerful, up-tempo record. Its very ease is deceptive - the music is so accessible and entertaining, it's easy to overlook the sheer musical mastery of the group, which performs at something of a peak on this record. Gene Harris sounds better than ever, turning in an elegant interpretation of "It Could Happen to You," but he's just as able to inject "When I Fall in Love" with unexpectedly vigorous swing and make Monk's "Straight No Chaser" a foot-tapping, danceable delight…