Space Flight is an album recorded by organist Sam Lazar on June 1, 1960 for Argo Records. This was Lazar's debut recording, and the second recording by guitarist Grant Green. It seems that Sam Lazar only made three LPs during his musical career and all of them were for Chicago's Chess family of labels and released on their now largely forgotten but hugely important jazz imprint Argo Records. Lazar is certainly an early pioneer of the soul/blues drenched genre of organ players and his albums are highly collectable amongst Hammond B3 collectors.
This great Jazz two-fer features two of guitarist Grant Green's '60s work trio and quartet featuring incredible organ work from Sam Lazar and Big John Patton. This release contains the complete albums Space Flight (1960) and Iron City (1967). The question "When is a Grant Green album not a Grant Green album?" is answered by this release, with the reply, when "It's actually Grant Green as a sidesman on two album released by other artists".
Grant Green's star rose after his signing to Blue Note in 1960, though he appeared as a sideman on several releases during the 1950s. These previously unissued live recordings, made in 1959 and 1960 at the Holy Barbarian Coffee House in St. Louis, document some of his earliest work. Although the music wasn't taped professionally, the sound is quite good, with several extended performances. The St. Louis native is joined by tenor saxophonist Bob Graf (a former Woody Herman sideman who had returned to his hometown), the somewhat obscure organist Sam Lazar, and drummer Chauncey Williams, though none of the three have very large discographies.
Joan Wasser, better known as Joan As Police Woman, will release JOANTHOLOGY, a three-CD retrospective in May. Spanning the last fifteen years, this set pulls tracks from all five official studio albums – Real Life (2006) , To Survive (2008), The Deep Field (2011), The Classic (2014) and last year’s Damned Devotion. Additionally, it features songs from Cover, the fairly limited release from 2009, the 2016 collaboration with Benjamin Lazar Davis Let It Be You and My Gurl from the debut EP.
The common criticism of Joan Wasser is that she slinks too close to AOR blandness; that she is, essentially, alt-Adele. Yet with all due kudos to the mighty Ms Adkins, you’d be unlikely to hear her sing, as Wasser does on the psychedelically angry clatter of The Silence: “My body, my choice, her body, her choice”. An irrepressible smoothie she may be, but like her airier Canadian contemporary Feist, she’s got spikes.