L’Univers De La Mer was entirely composed by Guiot using a Mellotron, a Minimoog, a clavinet, organ and guitar. Its twelve tracks “navigate from scenic meditation pieces (‘Wind Surf Ballad’), to medieval electronica (‘Une Ballade Pour Une Goélette’), spacey smooth jazz (‘Les Deux Poissons’), funked out fantasy folk (‘L’Univers De La Mer’), and even incredible Sega Mega-CD vibes (‘La Danse Des Méduses’) – altogether painting a fascinating world of eerie magic and subaquatic sensuality”.
Pioneering artist in the field of abstract-electronic-retropop instrumentation. Teddy LASRY Also known as a composer of contemporary classical music and scores for modern theatre and cine-art. He is also known for his compositions for Christian VANDER's MAGMA. After a first jazzy-groovy pop album in collaboration with other artists (Claude Engel…) he released his first LP in solo entitled "Tutti Fluti" (1975) which reveals a mix between soulful jazz elements and electronic spacey vibes. Published in 1976 "E = MC²" can be considered as a masterpiece in the world of cosmic synthedelica. "La femme qui venait d'ailleurs" (1977) also contains absolutely classic cosmic themes for long synthesized strings and astral-like electro moves, somtimes sustained by strangey exotic jazzy sounds.
Pioneering artist in the field of abstract-electronic-retropop instrumentation. Teddy LASRY Also known as a composer of contemporary classical music and scores for modern theatre and cine-art. He is also known for his compositions for Christian VANDER's MAGMA. After a first jazzy-groovy pop album in collaboration with other artists (Claude Engel…) he released his first LP in solo entitled "Tutti Fluti" (1975) which reveals a mix between soulful jazz elements and electronic spacey vibes. Published in 1976 "E = MC²" can be considered as a masterpiece in the world of cosmic synthedelica. "La femme qui venait d'ailleurs" (1977) also contains absolutely classic cosmic themes for long synthesized strings and astral-like electro moves, somtimes sustained by strangey exotic jazzy sounds.
Pioneering artist in the field of abstract-electronic-retropop instrumentation. Teddy LASRY Also known as a composer of contemporary classical music and scores for modern theatre and cine-art. He is also known for his compositions for Christian VANDER's MAGMA. After a first jazzy-groovy pop album in collaboration with other artists (Claude Engel…) he released his first LP in solo entitled "Tutti Fluti" (1975) which reveals a mix between soulful jazz elements and electronic spacey vibes. Published in 1976 "E = MC²" can be considered as a masterpiece in the world of cosmic synthedelica. "La femme qui venait d'ailleurs" (1977) also contains absolutely classic cosmic themes for long synthesized strings and astral-like electro moves, somtimes sustained by strangey exotic jazzy sounds.
Pioneering artist in the field of abstract-electronic-retropop instrumentation. Teddy LASRY Also known as a composer of contemporary classical music and scores for modern theatre and cine-art. He is also known for his compositions for Christian VANDER's MAGMA. After a first jazzy-groovy pop album in collaboration with other artists (Claude Engel…) he released his first LP in solo entitled "Tutti Fluti" (1975) which reveals a mix between soulful jazz elements and electronic spacey vibes. Published in 1976 "E = MC²" can be considered as a masterpiece in the world of cosmic synthedelica. "La femme qui venait d'ailleurs" (1977) also contains absolutely classic cosmic themes for long synthesized strings and astral-like electro moves, somtimes sustained by strangey exotic jazzy sounds.
Pioneering artist in the field of abstract-electronic-retropop instrumentation. Teddy LASRY Also known as a composer of contemporary classical music and scores for modern theatre and cine-art. He is also known for his compositions for Christian VANDER's MAGMA. After a first jazzy-groovy pop album in collaboration with other artists (Claude Engel…) he released his first LP in solo entitled "Tutti Fluti" (1975) which reveals a mix between soulful jazz elements and electronic spacey vibes. Published in 1976 "E = MC²" can be considered as a masterpiece in the world of cosmic synthedelica. "La femme qui venait d'ailleurs" (1977) also contains absolutely classic cosmic themes for long synthesized strings and astral-like electro moves, somtimes sustained by strangey exotic jazzy sounds. On Seven Stones (1979) he mixes art rock, exotic jazzy sounds and ambient music.
"Eccentricity in music is tricky in that it's difficult to embrace it in moderation. There's risk of having it come off as either overly (and gratingly) deliberate, or teetering over the precipice into full-blown novelty. Pere Ubu co-founder Allen Ravenstine's Waiting For The Bomb is one of these rare exceptions where peculiarity, nuance and genuine warmth align in such a way that it's perched right on that edge and all the more evocative because of it. One of the album's most striking and disorienting attributes is its wide and volatile sound palette…