RED SAND comes here to release its 9th album by offering a variation on the sounds of PINK FLOYD, Gimour being one of the masters of SImon. This opus therefore radically changes the sounds of the MARILLION Fish era with which it had quite a few similarities. RED SAND has just released a neo prog wonder quite simply…
This is first rate neo prog, maybe not original, but well played and with intresting passages. The bass, drums are all over and is clear that they play with pleasure for neo prog music. People who enjoyed the band's first two releases and also fancy the early Marillion albums should check out Behind The Mask.
Golem is widely regarded to be a lost psychedelic masterpiece among the sorts of people who are interested in such things, numbering David Tibet, Steven Stapleton, and Julian Cope among its more outspoken champions. This German band was produced by Klaus Schulze. Their sole album Golem, was released in 1974. The music is somehow folk, but also cosmic rock inspired, reminiscent of Ash Ra Temple and Cosmic jokers, thanks to Schultze's influence who mixed it using "Artificial Head Stereo Sound", the aim was "to get an illusion of perfect surrounding space. The idea was brilliant but unfortunately not the sound." The album has indeed been pressed again three times, as the band was not satisfied with the result.
Golem is widely regarded to be a lost psychedelic masterpiece among the sorts of people who are interested in such things, numbering David Tibet, Steven Stapleton, and Julian Cope among its more outspoken champions. This German band was produced by Klaus Schulze. Their sole album Golem, was released in 1974. The music is somehow folk, but also cosmic rock inspired, reminiscent of Ash Ra Temple and Cosmic jokers, thanks to Schultze's influence who mixed it using "Artificial Head Stereo Sound", the aim was "to get an illusion of perfect surrounding space. The idea was brilliant but unfortunately not the sound." The album has indeed been pressed again three times, as the band was not satisfied with the result.
The only LP from this very fine, but still ignored US psychedelic rock band from Milwaukee was released by MGM Records in June 1970. Led by the talented organist Sigmund Snopek III the band showed influences of The Nice, The Doors, Love & The Moody Blues (with distinguish, eclectic organ/piano parts; fuzzy and intense guitars & very complex vocals) and have offered a varied, imaginative and well-arranged pop-psychedelic songs with strong, early-progressive and even classical attitude. Unfortunately, this kind of music probably sounded dated for mid-1970 and the group split-up soon after their performance at Atlanta Pop Festival. This CD has been expanded with 3 rare single tracks!
One of James Horner's most hushed works, House of Sand and Fog is an aptly brooding, implosive musical counterpart to Vadim Perleman's adaptation of Andre Dubus III's heartbreaking, and bestselling, novel. Horner captures the aspirations of the Behranis, a family of Irani immigrants, in the score's opening tracks. Pieces such as "An Older Life" and "Waves of the Caspian Sea" are quietly hopeful, string-driven compositions that feel like they're going to blossom into the kind of lush, sentimental pieces for which Horner is renowned – but they never do. Likewise, "'This Is No Longer Your House'" and "Kathy's Night" reflect the seeping frustration of Kathy Nicolo, an alcoholic young woman forced to give up her family's house, which the Behranis buy soon after. The musical themes of Nicolo and the Behranis come together, in a subdued manner on "Parallel Lives, Parallel Loves" and more urgently on "The Shooting, a Payment for Our Sins." But even the score's most dramatic moments are understated, providing more of a backdrop for the film's events than a commentary on them.
A new record from Bernat Font is cause for total celebration. And more so when it is live, which is where his music radiates all the passion boiling inside, which is considerable. Blues, swing, jazz, ragtime, boogie, stride… all the styles meld in the fingers of this keyboard prodigy who gives off a fire that sets the spirit burning as soon as it hits your ears.