Sasso Los Angeles

It is generally accepted that Victoria de Los Angeles possessed one of the most beautiful soprano voices of the 20th Century. Her musicality was supported by a vocal timbre suffused with the bright warmth of an Iberian summer. Her appearances in the concert hall and opera house, and her first recordings, drew the highest accolades from the musical establishment, critics and public. Her personality, excellent technique and dedicated approach would have secured her place as a great singer in any age.

The doo wop, gospel, blues, girl group and ballad scenes of Los Angeles fused to make it one major soul city.

Thomas Adès’ Dante—a ballet score in three parts based on Dante Alighieri’s La Divina Commedia—was recorded by the Los Angeles Philharmonic conducted by Music & Artistic Director Gustavo Dudamel at a concert performance last spring at Walt Disney Concert Hall. Nonesuch Records releases the album, the work’s premiere audio recording, on April 21, 2023. Dante was first performed at the Royal Opera House as part of Wayne McGregor’s The Dante Project for the Royal Ballet, with the Orchestra of the Royal Opera House and with designs by visual artist Tacita Dean.

After October 6th collection of Andalusian music, here is another homage by Victoria de los Ángeles to her musical roots. Born in Barcelona, the soprano has a deep connection with Catalan vocal music, whose richness of which she gives a splendid overview, from traditional songs accompanied at the guitar by Renata Tarragó to modern cycles by Mompou, Toldrà and Rodrigo arranged and conducted by Antoni Ros-Marbà, a great figure of music in Catalonia.

The word "fabulous" seems vulgar when applied to the Spanish diva whose delicately shaded voice encompassed music from the middle ages to the present. This four-disc compilation emphasizes her song repertoire, to which she brought warmth, intelligence, linguistic integrity and irresistible sincerity. Her dignity makes listeners want to come to her, and she rewards them with an intimate, personal experience, especially in this small-scale repertoire by Ravel, Debussy, Duparc, Fauré, lots of Spanish composers and German masters such as Schubert and Brahms. David Patrick Stearns @ Amazon.com

French-Italian accordionist Richard Galliano began recording for the Milan label in the mid-2000s, since when he's released two tango-based albums, Luz Negra (Milan, 2007) and Live In Marciac (Milan, 2007), made with his Tangaria Quartet. Galliano's Love Day: Los Angeles Session finds him returning to another love, new musette, a jazz-inflected recalibration of the bal-musette cafe music developed by French and Italian musicians in late 19th century Paris. Love Day: Los Angeles Sessions is bal-musette with a further twist though. Throughout his substantial discography, Galliano has recorded, in the main, with European musicians. On Love Day he's chosen a line-up of American or American-based musicians—pianist Gonzalo Rubalcaba, bassist Charlie Haden and drummer Mino Cinelu. None of these players have any sort of history in musette, new or traditional (including French-born Cinelu)…

On the heels of its successful Latin album, the Los Angeles Guitar Quartet (LAGQ) mines the same vein with Brazil – seemingly a decision that diverges from its California pastiche aesthetic, but still one very much in line with the trends…