Scala di Shild

The album marks 45 years since Chailly’s debut at La Scala, and also the signing of his exclusive contract with Decca.

Leonora, the main female character of Il trovatore, embodies like no other Verdian heroine absolute devotion and faithfulness, until her ultimate sacrifice to save her lover. One of the most tragic roles of the bel canto repertoire, it is very vocally demanding, requiring a wide ambitus and virtuosity. Having triumphed in Leonora on all world stages, Maria Callas bade farewell to the role in this stunning recorded version, conducted by Karajan and surrounded by a five-star vocal cast.

The most comprehensive edition devoted to Gioachino Rossini marking his 150th anniversary. Born in 1792, Rossini was the most popular opera composer of his time. Although he retired from the Opera scene in 1829, he continued to compose in other genres, including sacred music, piano and chamber works. He did gather his late works under the ironic title Péchés de vieillesse (Sins of Old Age), which veils a true collection of masterworks.

In many ways this is a magnificent achievement… Muti conducts with real assurance. Pacing the drama magnificently, it is on performances like these that the controversial Maestro has made his well-deserved musical reputation. Tell emerges as a masterpiece from first to last. Rossini's compositional confidence in his craft is never once in doubt, and there is no trace of any longueur anywhere.

Chailly and La Scala maintain the gold standard for Verdi in this new release coupling two great but rarely recorded choral works. The Hymn of the Nations (Inno delle nazioni) features Decca’s star tenor Freddie De Tommaso, the first tenor to record this work for Decca since Pavarotti. First performed in London in 1862 the Hymn incorporates ‘God Save the Queen’, ‘La Marseillaise’ and ‘Il Canto degli Italiani’: the national anthems of Great Britain, France and Italy. The Four Scared Pieces were published as a set in 1898, shortly before Verdi died. It portrays themes promising peace and the hope of paradise. This album follows the success of ‘Verdi Choruses’ which BBC Music Magazine awarded a 5* review: “Chorus and orchestra are both on their mettle here: the orchestral playing is clean and brilliant, the choral tone full and healthy.” “Chailly is meticulous and pays attention to the fine details, drawing performances from the chorus that are always sonorous and tasteful.” - Gramophone

Chailly and La Scala maintain the gold standard for Verdi in this new release coupling two great but rarely recorded choral works. The Hymn of the Nations (Inno delle nazioni) features Decca’s star tenor Freddie De Tommaso, the first tenor to record this work for Decca since Pavarotti. First performed in London in 1862 the Hymn incorporates ‘God Save the Queen’, ‘La Marseillaise’ and ‘Il Canto degli Italiani’: the national anthems of Great Britain, France and Italy. The Four Scared Pieces were published as a set in 1898, shortly before Verdi died. It portrays themes promising peace and the hope of paradise. This album follows the success of ‘Verdi Choruses’ which BBC Music Magazine awarded a 5* review: “Chorus and orchestra are both on their mettle here: the orchestral playing is clean and brilliant, the choral tone full and healthy.” “Chailly is meticulous and pays attention to the fine details, drawing performances from the chorus that are always sonorous and tasteful.” - Gramophone