Autechre albums are like language immersion programs: At first they don’t make sense, but listen close and familiar shapes emerge. Not that SIGN is accessible per se: We’re still talking about something closer to computer programming than what most people would consider music. But for a group that can be almost mythically forbidding (2016’s four-hour-long—and 12-hours-dense—elseq), SIGN is almost pop. Thirty years in and the UK production duo’s roots still show: Hip-hop on “M4 Lema,” house on “psin AM,” far-out synth soundtracks on “F7” and “Metaz form8.” But it all remains deconstructed and once removed. Most music depends on memories of something you’ve heard before. With Autechre, you can feel your brain stretch as you listen. Normally they sound like they’re pushing forward or settling in. With SIGN, it’s both.
This summer, a wave of hits sweeps over the waves … Find the 100 hits of the summer 2019! With: Daddy Yankee, Slimane, Vitaa, Gims, Angele …
Flica is an electro-acoustic outfit produced by Euseng Seto from the evolving music scene of Kuala Lumpur, Malaysia. Born in 1982, he begun his exquisite journey in conceptualizing and producing delicate home-brew music since 2005 with his first electronica duo project muxu with member Huat Liang. Having realized the need to explore further and experiment with his own music style, Euseng Seto started Flica in early 2007, solely crafting and producing music on his own. As a result, the subtle sounds that Flica creates are exceptionally melodic and uncomplicated, which perfectly mirroring his perceptions towards daily personal feelings on life and nature…
All Juliette's discography reunited for the first time. 9 studio albums, 4 live albums, 1CD of rarities and duets with a 24 pages booklet. In a musical landscape where nymphets cut on a standard model are legion, Juliette is a troublemaker. His buxom personality and banter repertoire finally won in a short skirt competition. But, it takes more to impress Juliette whose energy in the studio and on stage is worthy of its inspiring and inspiring, Fréhel, Piaf, Brel, Brassens. Juliette's universe is on!
“The Impossible Symphony “Shows once again how limitless Arturo Márquez’s musical imagination is,” says Alondra de la Parra. “The way he addresses the big questions of our time here is absolutely stunning in its scope and quality. Taking the fifth movement, ‘Magicicada’, as an example, Márquez is inspired by the empathy shown by two species of cicadas that tune into each other’s life cycles to allow both species to thrive. He represents these two cicadas in the score with flute and double bass as they cohabit around each other until their lines meet on D, the only note they have in common. Gender equality is the inspiration of the third movement, reminding us of the additional struggles that society imposes on women in their daily lives. This is represented by two cellos, male and female, playing in canon, but the conditions are more difficult for the woman, since her part is octaved.
Zoltán Kocsis performs the complete solo piano music of his fellow Hungarian, Béla Bartók. Completed in 2001, these critically acclaimed, definitive performances are the benchmark against which all others are considered.
Zoltán Kocsis performs the complete solo piano music of his fellow Hungarian, Béla Bartók. Completed in 2001, these critically acclaimed, definitive performances are the benchmark against which all others are considered.
Zoltán Kocsis performs the complete solo piano music of his fellow Hungarian, Béla Bartók. Completed in 2001, these critically acclaimed, definitive performances are the benchmark against which all others are considered.
For some listeners, the music of the Second Viennese School is still a stumbling block, due to the complexity of techniques and the intense expressionism found in the innovative works of Arnold Schoenberg, Alban Berg, and Anton Webern. However, this 2015 release by the Belcea Quartet is notable for the relative accessibility of its program, which reflects the profound emotional impulses at the heart of the music, perhaps most apparent in Schoenberg's passionate string sextet, Verklärte Nacht (1899), and Webern's poignant Langsamer Satz for string quartet (1905).
For some listeners, the music of the Second Viennese School is still a stumbling block, due to the complexity of techniques and the intense expressionism found in the innovative works of Arnold Schoenberg, Alban Berg, and Anton Webern. However, this 2015 release by the Belcea Quartet is notable for the relative accessibility of its program, which reflects the profound emotional impulses at the heart of the music, perhaps most apparent in Schoenberg's passionate string sextet, Verklärte Nacht (1899), and Webern's poignant Langsamer Satz for string quartet (1905).