Scl Jvlivs ii

Electric Light Orchestra Part II was formed in 1988 by drummer Bev Bevan, a founding member of the original ELO, the successful progressive pop group led by frontman Jeff Lynne from 1971 into the mid-1980s. After Lynne officially dissolved the band, Bevan assembled a new line-up including vocalist Neil Lockwood, keyboardist Eric Troyer and bassist Pete Haycock to tour under the Electric Light Orchestra banner; Lynne soon filed suit against the group, the resulting settlement appending the "Part II" tag to any new albums or live performances. One Night is a live album recorded and released by ELO Part II. The concert was recorded on 18-19 March 1995 at the Sydney Entertainment Centre, Australia while the band was on tour. It was called One Night since ELO Part II was in Australia only for one night. The album's official release was UK, 1996 2 CD and US, May 20, 1997 1 CD. This album contains a lot of ELO's greatest hits performed live. This release are taken from the same 1995 show.

Several years after the original art rock supergroup Colosseum disbanded, drummer Jon Hiseman formed Colosseum II, a more jazz fusion-oriented outfit featuring guitarist Gary Moore (Thin Lizzy) and keyboardist Don Airey. Their eclectic debut, Strange New Flesh, shows some impressive chops from all involved, with an emphasis on Moore's soulful guitar leads. Vocalist Mike Starr, while not an immensely engaging singer, does a nice job keeping up with Hiseman and bass player Neil Murray. Highlights include the technically showy but blissfully irreverent ode to Pink Floyd, "Dark Side of the Moog," a nice version of Joni Mitchell's "Down to You," and the funky "Gemini and Leo."

Released in 1974, Amon Düül II's Hijack is not frequently (if ever) regarded as one of their better albums. In fact, author Ingmar Schrober gives it a few scant sentences in Tanz der Lemmings, his biography of the band published in 1979. For the most part, this critical dismissal is accurate - fans and critics seem to agree for once - most of what's here is unfocused, very polished, meandering psych prog that goes nowhere. But Hijack is significant in the band's history, and perhaps for posterity as well, for three reasons. The first of these is that the recording of this album signalled a short-lived reunion of sorts for most of the members of the original Amon Düül - vocalist Renate Knaup-Kroetenschwanz, guitarist/vocalist Chris Karrer, guitarist John Weinzierl, drummer Peter Leopold…

Made In Germany was a real musical transformation for Amon Düül II. If you took this album, and ADII's first album "Phallus Dei" and played them both for an unknowing listener, they would never even suspect it was the same band! The songs like "Ludwig" have an almost Beatlesesque quality to them (albeit on much more drugs). Ambitious vocal harmony arrangements, pristine production values, orchestral flourishes… Amon Duul? Anyway, this album is a masterwork of a completely different sort than their earlier releases, so naturally many fans will not still be onboard at this point. Short, vaguely Floydian spacy instrumental breaks replace the full-on sonic assaults of yore, and the main feature is… songs. Beautiful, sometimes achingly melancholic, sometimes witty and humorous, always honed like a gem; this is top-notch songwriting without ever losing ADII's keen eye for ambition.

By 1976, Amon Düül II had transitioned from a highly experimental unit to an almost traditional pop-rock act, with lyrics sung in English and a decidedly (and unexpectedly) rockist approach to songwriting. New members Stefan Zauner (keys) and Klaus Ebert (guitar and bass) contributed the majority of the songs, adding to the stark newness of the sound. While this album has its share of exciting moments, it is not a typical Amon Duul album, and will probably be best enjoyed by completists.

Amon Düül was a German art commune whose members began producing improvisational psychedelic rock music during the late '60s. The group's members released several albums, mostly recorded during a single extended jam session. Concurrently, some of the commune's more musically inclined members formed the longer-lasting Amon Düül II, who made their debut with 1969's Phallus Dei and continued releasing ambitious efforts such as 1971's Tanz der Lemminge and the more pop-minded Made in Germany (1975). Both acts proved to be a major influence on generations of experimental rock musicians to come and are regarded as pioneers of the Krautrock style.

Released to raise money for victims of the Kobe, Japan, earthquake, this Amon Düül II disc from 1996, like the very similar Eternal Flashback, is actually material from 1969 to 1971 reworked through the wonders of plunderphonics by members of the group into one seamless, 65-minute-long space rock epic. It's not quite as radical as the John Oswald remix of the Grateful Dead's "Darkstar" on Grayfolded or the Can remix album Sacrilege, though it's still a quite fascinating bit of trickery, as bits of tracks from the first two albums, Phallus Dei and Yeti, are blended with previously unreleased material. The rhythms are often looped to retain the essence of the original album, but drawn out into long, hypnotic passages with oozes of guitar floating around them, while most of the vocal sections have been completely excised out, leaving this a complete instrumental workout…

Colosseum II was a British band formed in 1975 by the former Colosseum drummer and leader, Jon Hiseman, following the 1974 demise of his band Tempest. Hiseman announced his plan to form the band eventually named Colosseum II in November 1974, but only Gary Moore was named as a member. Rehearsals were due to begin on January 1, 1975, but a permanent unit was not finalised until May 1975. Among musicians who almost made the group were Graham Bell, Duncan Mackay and Mark Clarke. The final line-up was completed by Don Airey, Neil Murray and Mike Starrs. The band was oriented toward jazz fusion, much of which was driven by the guitar work of Moore, leading to a much heavier sound than the original Colosseum band.