Eureka!

In 1917 a 21 year old Buster Keaton walked on to a film set for the very first time and without a single retake made his screen debut in a comedy sketch in Arbuckle's 'The Butcher Boy'. This collection includes 13 of the 14 films that Arbuckle and Keaton made together (one remains lost) and all of the 19 independent shorts Buster made after getting his own studio in 1920. It charts Buster's early development as one of the greatest performers and directors in the history of film comedy.

In 1917 a 21 year old Buster Keaton walked on to a film set for the very first time and without a single retake made his screen debut in a comedy sketch in Arbuckle's 'The Butcher Boy'. This collection includes 13 of the 14 films that Arbuckle and Keaton made together (one remains lost) and all of the 19 independent shorts Buster made after getting his own studio in 1920. It charts Buster's early development as one of the greatest performers and directors in the history of film comedy.

Reuniting the star and director of Das Cabinet des Dr. Caligari, The Hands of Orlac [Orlac’s Hände] is a deliciously twisted thriller that blends grand guignol thrills with the visual and performance styles of German Expressionism.
Based on a novel by medical-horror novelist Maurice Renard, it charts the mental disintegration of a concert pianist (Conrad Veidt) whose hands are amputated after a train crash, and replaced with the hands of an executed murderer. When Orlac’s father is murdered by the dead man’s hands, Orlac begins a steady descent towards madness.

Reuniting the star and director of Das Cabinet des Dr. Caligari, The Hands of Orlac [Orlac’s Hände] is a deliciously twisted thriller that blends grand guignol thrills with the visual and performance styles of German Expressionism.
Based on a novel by medical-horror novelist Maurice Renard, it charts the mental disintegration of a concert pianist (Conrad Veidt) whose hands are amputated after a train crash, and replaced with the hands of an executed murderer. When Orlac’s father is murdered by the dead man’s hands, Orlac begins a steady descent towards madness.

Over a decade in the making, Claude Lanzmann’s nine-hour-plus opus is a monumental investigation of the unthinkable: the murder of more than six million Jews by the Nazis. Using no archival footage, Lanzmann instead focuses on first-person testimonies (of survivors and former Nazis, as well as other witnesses), employing a circular, free-associative method in assembling them. The intellectual yet emotionally overwhelming Shoah is not a film about excavating the past but an intensive portrait of the ways in which the past is always present, and it is inarguably one of the most important cinematic works of all time.

Reuniting the star and director of Das Cabinet des Dr. Caligari, The Hands of Orlac [Orlac’s Hände] is a deliciously twisted thriller that blends grand guignol thrills with the visual and performance styles of German Expressionism.
Based on a novel by medical-horror novelist Maurice Renard, it charts the mental disintegration of a concert pianist (Conrad Veidt) whose hands are amputated after a train crash, and replaced with the hands of an executed murderer. When Orlac’s father is murdered by the dead man’s hands, Orlac begins a steady descent towards madness.

An interview with a WWII Red Cross official who wrote a glowing report on a Jewish ghetto-cum-death camp.