Godzilla:+the+showa-era+films

In 1917 a 21 year old Buster Keaton walked on to a film set for the very first time and without a single retake made his screen debut in a comedy sketch in Arbuckle's 'The Butcher Boy'. This collection includes 13 of the 14 films that Arbuckle and Keaton made together (one remains lost) and all of the 19 independent shorts Buster made after getting his own studio in 1920. It charts Buster's early development as one of the greatest performers and directors in the history of film comedy.

In 1917 a 21 year old Buster Keaton walked on to a film set for the very first time and without a single retake made his screen debut in a comedy sketch in Arbuckle's 'The Butcher Boy'. This collection includes 13 of the 14 films that Arbuckle and Keaton made together (one remains lost) and all of the 19 independent shorts Buster made after getting his own studio in 1920. It charts Buster's early development as one of the greatest performers and directors in the history of film comedy.

Beginning with the 1929 stock market collapse, The 1930s looks at the creation of FDR's Tree Army; construction of one of the greatest engineering projects of the modern era; the impact of the drought that transformed the plains; and an unlikely hero that gave downtrodden Americans hope. This collection of films examines America's response to the unprecedented threats facing the nation during one of history's most tumultuous decades.

The first collaboration between Roberto Rossellini and Ingrid Bergman is a devastating portrait of a woman’s existential crisis, set against the beautiful and forbidding backdrop of a volcanic island. After World War II, a Lithuanian refugee (Bergman) marries a simple Italian fisherman (Mario Vitale) she meets in a prisoner of war camp and accompanies him back to his isolated village on an island off the coast of Sicily. Cut off from the world, she finds herself crumbling emotionally, but she is destined for a dramatic epiphany. Balancing the director’s trademark neorealism—exemplified here in a remarkable depiction of the fishermen’s lives and work—with deeply felt melodrama, Stromboli is a revelation.

The first collaboration between Roberto Rossellini and Ingrid Bergman is a devastating portrait of a woman’s existential crisis, set against the beautiful and forbidding backdrop of a volcanic island. After World War II, a Lithuanian refugee (Bergman) marries a simple Italian fisherman (Mario Vitale) she meets in a prisoner of war camp and accompanies him back to his isolated village on an island off the coast of Sicily. Cut off from the world, she finds herself crumbling emotionally, but she is destined for a dramatic epiphany. Balancing the director’s trademark neorealism—exemplified here in a remarkable depiction of the fishermen’s lives and work—with deeply felt melodrama, Stromboli is a revelation.

The first collaboration between Roberto Rossellini and Ingrid Bergman is a devastating portrait of a woman’s existential crisis, set against the beautiful and forbidding backdrop of a volcanic island. After World War II, a Lithuanian refugee (Bergman) marries a simple Italian fisherman (Mario Vitale) she meets in a prisoner of war camp and accompanies him back to his isolated village on an island off the coast of Sicily. Cut off from the world, she finds herself crumbling emotionally, but she is destined for a dramatic epiphany. Balancing the director’s trademark neorealism—exemplified here in a remarkable depiction of the fishermen’s lives and work—with deeply felt melodrama, Stromboli is a revelation.

The cornerstone of director Richard Linklater’s career‑long exploration of cinematic time, this celebrated three-part romance captures a relationship as it begins, begins again, deepens, and strains over the course of almost two decades. Chronicling the love of Celine (Julie Delpy) and Jesse (Ethan Hawke), from their first meeting as idealistic twentysomethings to the disillusionment they face together in middle age, The Before Trilogy also serves as a document of a boundary-pushing and extraordinarily intimate collaboration between director and actors, as Delpy and Hawke imbue their characters with a sense of lived-in experience, and age on-screen along with them. Attuned to the sweeping grandeur of time’s passage as well as the evanescence of individual moments, the Before films chart the progress of romantic destiny as it navigates the vicissitudes of ordinary life.

Collection of cartoons on the works of Hans Christian Andersen.

The ebullient comedy films of the 1930s brought escape and laughter to millions of British cinemagoers, enabling veteran stars of the music-hall and theatre to reach out to a wider audience - making household names of performers like Leslie Fuller, Hal Gordon, Bobby Howes, Ernest Lotinga and Gene Gerrard.

The ebullient comedy films of the 1930s brought escape and laughter to millions of British cinemagoers, enabling veteran stars of the music-hall and theatre to reach out to a wider audience making household names of performers like Leslie Fuller, Hal Gordon, Bobby Howes, Ernest Lotinga and Gene Gerrard.