Romance+drama

This melodrama revolves around the post-war meeting reunion an intelligent front-line officer, now happily married, and a woman street vendor. This encounter reawakens in them submerged feelings of gratitude and tenderness as the officer recalls how they met during the war and what she used to mean to him. Now he learns that she is alone with a small daughter, the girl's father having been killed at the front. Naturally, he seeks to help them but his wife is not so understanding…

This melodrama revolves around the post-war meeting reunion an intelligent front-line officer, now happily married, and a woman street vendor. This encounter reawakens in them submerged feelings of gratitude and tenderness as the officer recalls how they met during the war and what she used to mean to him. Now he learns that she is alone with a small daughter, the girl's father having been killed at the front. Naturally, he seeks to help them but his wife is not so understanding…

The cornerstone of director Richard Linklater’s career‑long exploration of cinematic time, this celebrated three-part romance captures a relationship as it begins, begins again, deepens, and strains over the course of almost two decades. Chronicling the love of Celine (Julie Delpy) and Jesse (Ethan Hawke), from their first meeting as idealistic twentysomethings to the disillusionment they face together in middle age, The Before Trilogy also serves as a document of a boundary-pushing and extraordinarily intimate collaboration between director and actors, as Delpy and Hawke imbue their characters with a sense of lived-in experience, and age on-screen along with them. Attuned to the sweeping grandeur of time’s passage as well as the evanescence of individual moments, the Before films chart the progress of romantic destiny as it navigates the vicissitudes of ordinary life.

In honor of Ingmar Bergman’s one hundredth birthday, the Criterion Collection is proud to present the most comprehensive collection of his films ever released on home video. One of the most revelatory voices to emerge from the postwar explosion of international art-house cinema, Bergman was a master storyteller who startled the world with his stark intensity and naked pursuit of the most profound metaphysical and spiritual questions. The struggles of faith and morality, the nature of dreams, and the agonies and ecstasies of human relationships—Bergman explored these subjects in films ranging from comedies whose lightness and complexity belie their brooding hearts to groundbreaking formal experiments and excruciatingly intimate explorations of family life.

The three colors are blue, white and red. They are the colors of the French flag, of course, and they are appropriated by director Krzysztof Kieslowski along with the themes of the motto they more or less represent: liberty, equality, fraternity. But the films Three Colors: Blue (1993), Three Colors: White (1993), and Three Colors: Red (1994) are not hymns to patriotism or national identity and the Polish Kieslowski hasn’t any predisposition to making a statement at France. It’s better to think of this trilogy in similar terms as his The Decalogue, ten short films in which he reflects upon the Ten Commandments in terms more suggestive than literal. They are about morality in terms of life in Poland in 1989 and it is that vast collage of life experience in that time and place that is so powerful.

A drama centered on the romance between Ernest Hemingway and WWII correspondent Martha Gellhorn, Hemingway's inspiration for For Whom the Bell Tolls and the only woman who ever asked for a divorce from the writer.

An adult drama telling the story of the spoiled rich girl Nadia (Hamama) who gets jelous after finding her dad marrying the perfect faithful woman. She sets a story of her having an affair with her uncle. Living with the feeling of guilt she sets up a marriage for her dad with her spoiled friend who happens to have a true affair this time. Feeling that god is punishing her for her deads, she is living at the same time a love story with a man double her age.

A divorced woman who decides to pursue the man she's interested in learns he's her new friend's ex-husband.