Satyajit+ray

Two decades after its original negatives were burned in a fire, Satyajit Ray’s breathtaking milestone of world cinema rises from the ashes in a meticulously reconstructed new restoration. The Apu Trilogy brought India into the golden age of international art-house film, following one indelible character, a free-spirited child in rural Bengal who matures into an adolescent urban student and finally a sensitive man of the world. These delicate masterworks—Pather Panchali (Song of the Little Road), Aparajito (The Unvanquished), and Apur Sansar (The World of Apu)—based on two books by Bibhutibhusan Banerjee, were shot over the course of five years, and each stands on its own as a tender, visually radiant journey. They are among the most achingly beautiful, richly humane movies ever made—essential works for any film lover.

The lonely wife of a newspaper editor falls in love with her visiting cousin-in-law, who shares her love for literature.

Calcutta based screenwriter Amitabha Roy is traveling to Hashimara in north Bengal partly to visit his brother-in-law and partly to do research for what will be his third film. En route from Siliguri to Hashimara via taxi, Ami becomes stranded when the taxi breaks down in a small, remote town, the local mechanic who does not have the necessary part to fix it, meaning that the taxi will not be repaired for a couple of days seeing that it is the weekend. Although he does need to get to Hashimara soon, the plan to take the next train the following day the rest of the way, Ami is more concerned about where he will stay overnight. Although there is a small local hotel, he is offered a place to stay by and at the home of simpleminded Bimal Gupta, a local tea plantation owner who would like the company for the night seeing as to the isolation of the plantation and thus not seeing many people beyond his staff with who he does and cannot socialize.

A devout Hindu family falls victim to a charlatan posing as a holy man.