Soundtrack

The soundtrack to Robert Wise’s film version of Rodgers & Hammerstein’s The Sound of Music is being reissued across multiple formats, with a super deluxe edition offering “every musical element” from the film and a Dolby Atmos Mix.
The musical features classics such as as ‘My Favourite Things’, ‘Do-Re-Mi’, ‘The Sound of Music’ and ‘Edelweiss’ and Robert Wise walked away with Best Picture and Best Director Oscars (being director and co-producer) at the 1966 Academy Awards.
The new reissue is led by a 4CD+blu-ray super deluxe which features over 40 previously unreleased tracks, including 11 never-before-heard alternate takes and instrumentals of each song for that singalong-a-Sound-of-Music experience. The blu-rays capacity allows it to deliver the full score in hi-res stereo audio and well as a Dolby Atmos Mix of the 16-track original soundtrack.

Released in 1971, GET CARTER all but defined a new breed of gritty British gangster film, portraying career criminals in a more brutal yet three-dimensional fashion (a style later adopted to great effect by TV series The Sweeney). Directed by Mike Hodges and starring Michael Caine, the film has grown in stature over the years - fuelled in great part by the amazing soundtrack by British jazz maestro Roy Budd. From the opening bars of the 'Get Carter' theme, the music underpins the tense drama, endorsing an atmosphere which was both thoroughly British while also reflecting the more sophisticated urban landscapes portrayed in ground-breaking US films like The French Connection.

The Muppet Movie[Original Motion Picture Soundtrack] Review by Darryl Cater
The genre of the movie musical is commonly said to have died in the early 1970s, but some of these songs belong in the canon of great musical tunes. Their authors, Paul Williams and Kenny Ascher, received Oscar nominations both for the entire song score and for the unlikely radio hit "Rainbow Connection," which Kermit the Frog sings with all the dreamy wistfulness of a short green Judy Garland. Actually, "Rainbow Connection" serves the same purpose in this film that "Over the Rainbow" serves in The Wizard of Oz, with nearly equal effectiveness: an opening establishment of the characters' driving urge for something more in life. "Moving Right Along" and "I Hope That Something Better Comes Along" achieve a Cole Porter-esque cleverness. The poignant nostalgia of "I'm Going to Go Back There Someday" is enough to make the listener forget it's being sung by a blue piece of felt. There are a few mediocre moments, but most of Williams and Ascher's songs are better than the movie itself.

West Side Story [1961] [Original Motion Picture Soundtrack] Review by Richie Unterberger
The soundtrack of the West Side Story film is deservedly one of the most popular soundtrack recordings of all time, and one of the relatively few to have attained long-term popularity beyond a specialized soundtrack/theatrical musical audience. (It is an entirely different recording, it should be emphasized, from the original Broadway cast recording, which was also a massive-selling album.) Its widespread impact could be attributed to a few factors: the wide range of compositional and orchestral styles, from cool swing jazz and shades of Latin pop to classical; the universality of the storyline, pitting underdog lovers against the world; and an assortment of songs that goes well beyond the sentimental love odes that are the staples of musicals (though it has some of those, too), including some downright tough posturing and sardonic social commentary.

Sdban Records, the renowned independent groove & jazz label behind Funky Chicken, Hip Holland Hip, and Discophilia Belgica, is thrilled to announce the upcoming release of its latest compilation album, "The Belgian Soundtrack: A Musical Connection of Belgium with Cinema." Packed with the finest soundtracks boasting an unmistakable Belgian connection, this compilation takes listeners on a captivating journey through a collection of cinematic hidden gems from the early sixties to the late seventies. Curated by the passionate duo Robin Broos and Tom ‘Pélé’ Peeters, known for their profound appreciation of obscure soundtracks, "The Belgian Soundtrack" showcases the exceptional talents of both local and internationally acclaimed composers and musicians. From obscure finds composed by lesser-known artists to Hollywood scores performed by world-renowned musicians, this compilation offers a vibrant blend of tracks, including the occasional contribution from renowned international artists who have lent their musical prowess to Belgian films.

Pirates of the Caribbean: Soundtrack Treasures Collection is a collection of soundtrack albums from Walt Disney's Pirates of the Caribbean trilogy along with some exclusive extra features including several suites of never-before-released music and a bonus DVD containing videos from behind the scenes, making of the music and interviews with composer Hans Zimmer. The set was released on December 4, 2007.

The hotly-anticipated Saw X arrives in theaters on September 29, and Bloody Disgusting is excited to announce that Saw X – Original Motion Picture Soundtrack is also on the way. Featuring original music by Saw mainstay Charlie Clouser, Lakeshore Records will release the soundtrack digitally on September 29, and we’ve got the first single for you today.

The Hot Spot [Original Soundtrack] Review by Eugene Chadbourne
A return look and listen to this historical and breathtaking collaboration between two of the great figures of modern music should naturally be prefaced by a few key facts. Although this album presents itself as the soundtrack to the film The Hot Spot, like many such releases it bares little relation to the music that was actually used in the film – not that much of this music was actually used.

Scarface: Music from the Original Motion Picture Soundtrack is the soundtrack album featured on the 1983 American crime film, Scarface, which was directed by Brian De Palma. Composed by Italian record producer Giorgio Moroder, the vinyl soundtrack was released on December 9 of the same year through MCA Records. The album features music created by Moroder, who wrote and produced all of the tracks. Scarface counts with the collaboration of multiple singers, including Paul Engemann, Debbie Harry, Amy Holland, Elizabeth Daily, among other artists. The soundtrack received a Golden Globe Award nomination for Best Original Score at the 41st Golden Globe Awards.

To view Francis Ford Coppola's epic masterpiece Apocalypse Now is to investigate the dark side of human nature, to probe Heart of Darkness. Listening to the soundtrack is to experience the film again in another, no less mind-bending light. Arranged by Coppola and his father Carmine, the music, dialogue and narration match the film's chilling descent into madness. The score, heavy on electronics and synthetic noise, dangles the listener in front of an abyss akin to the frightful mood evoked by the film's terrifying visceral psychedelics. Keeping with the sequence of the film's action, the soundtrack traces Captain Willard's trip up the river to meet Colonel Kurtz. From the opening helicopters' muffled whirls to the echoes of the unforgiving Vietnamese jungle, the sounds of Apocalypse Now amount to poundings and shrieks of synthesized paranoia, accurately capturing the confusion and discord depicted in the film.