Junior+wells

Backed by a funk-minded, James Brown-influenced band, Junior Wells is in good form on these live recordings from Buddy Guy's Legends in Chicago. Wells (who was 61 when this CD was recorded) really comes alive in front of a live audience, and he's certainly in a very extroverted mood on such familiar material as "Hoodoo Man," "Little By Little" and his signature tune, "Messin' With the Kid." Wells has been one of Brown's most ardent admirers for a long time, and he frequently shows his love of the Godfather's soul/funk innovations without letting us forget that he's a bluesman first and foremost. Although this CD doesn't offer a lot of surprises, it's an invigorating documentation of the energy and passion Wells brings to the stage.

Considering the troubled background of this album (Eric Clapton, Ahmet Ertegun, and Tom Dowd only ended up with eight tracks at a series of 1970 sessions in Miami; two years later, the J. Geils Band was brought in to cut two additional songs to round out the long-delayed LP for 1972 release), the results were pretty impressive. Buddy Guy contributes dazzling lead axe to their revival of "T-Bone Shuffle"; Junior Wells provides a sparkling remake of Sonny Boy's "My Baby She Left Me," and Guy is entirely credible in a grinding Otis Redding mode on the Southern soul stomper "A Man of Many Words."

The music Earl Hooker and Junior Wells made together demonstrates the blues in transition, still upholding its traditions but recasting them in a format that reflected the musical taste of contemporary black society. Shortly after these records were produced, the Blues Boom shifted the music’s focus on to young white audiences. The tracks featured here represent some of the last instances of Chicago blues being produced for the artists’ own community.

Limited pressing housed in Japanese mini LP sleeve packaging with obi strip. Digitally remastered edition of this classic '60s Soul release. For years, Motown was always referred to as the most influential Soul label of the '60s. However, one cursory glance at Atlantic's vast catalog of '60s Soul releases proves that Atlantic may have had the edge in regards to it's roster of influential talent. This remaster is just one in a series of Japanese Atlantic Soul and R&B reissues that comes housed in a min LP sleeve, which replicates the excitement of opening the album back when it first came out!

American musician with Cuban and Italian roots. As a teenager Albert Castiglia started playing guitar and realized that writing his own music was the best way to express his thoughts. His first breakthrough was when Junior Wells hired him for his touring band, so they played several world tours together. In 1997 the New Times magazine in Miami named him the “Best Blues Guitarist” and finally, in 2002, Castiglia released his debut “Burn”. In 2014 Albert Castiglia comleted Ruf's Blues Caravan beside Laurence Jones and Christina Skjolberg and released his first album on Ruf "Solid Ground". Released in 2016 on Ruf Records, Big Dog confirms that Albert is a different breed to the lightweights and arrivistes who dominate the modern music scene…

This stalwart independent label, headquartered in San Francisco, began in a small Ann Arbor club and grew into one of the most important imprints in blues. Thirty-three tunes ricochet between the potent old-school Chicago stylings of Buddy Guy and Junior Wells's classic "Hoodoo Man Blues" and Big Walter Horton'ss swinging shuffle "Put the Kettle On" to the intriguing pop-folk hybrid of Roy Rogers and Norton Buffalo and the dashing retro-nuevo guitarisms of Nick Curran & the Niteflies to the brawny Texas-schooled sounds of Omar & the Howlers and Smokin' Joe Kubek & Bnois King. The label's Delta blues side is underrepresented, although James Cotton and Elvin Bishop offer two great flavors of cottonland grind.

Billy D’s life experience has given him the strength to write his brand of “Bluzy Rock” with a passion that only comes from living it. Heavily influenced by Chicago blues, Rock & Roll, and “Backbeat Roots” music of all types, his songs reflect the tough lessons of his past and show his love for Mother Blues and her first-born, Rock & Roll. Born on the south side of Chicago, Billy Desmond grew up surrounded by the Blues and early Rock & Roll— a powerful combination. He started playing professionally at the age of fourteen, primarily for teen dances and parties; and by eighteen, he was sneaking into the blues clubs of Chicago to hear such greats as Muddy Waters, Junior Wells, Buddy Guy, and James Cotton…

This tribute album breaks no new ground but does a superb job of re-creating the Chicago ensemble sound, as well as the songs, of the latter-day Muddy Waters Band. That comes as no surprise, since the core group here literally was Muddy Waters' backup unit from 1974 to 1980: Bob Margolin and Luther "Guitar Jr" Johnson on guitars, Pinetop Perkins on piano, Jerry Portnoy on harp, Calvin Jones on bass, and Willie Smith on drums. Each of these Muddy alumni takes a vocal turn (Margolin takes two). While none of them matches the majesty of Muddy's voice, they certainly have the spirit of the thing down pat.

Delmark celebrates Dave’s 30 years on the label with a stellar line-up of guests including Otis Clay, Jorma Kaukonen, Lurrie Bell, Billy Branch, Ronnie Earl, Jimmy Johnnson & more.Specter’s career has been intertwined with the deepest roots of Chicago blues and Delmark’s rich musical history. This double CD release constitutes a definitive testimony to one of today’s most tasteful and versatile blues artists featuring SpecterDave Specter has earned an international reputation as one of the premier talents on the Chicago music scene. Since 1985 Specter has performed regularly at top Chicago venues in addition to clubs, festivals and concert halls throughout the USA.