Rainbow

Long Live Rock 'n' Roll may be singer Ronnie James Dio's last album with Rainbow, but at least he went out on a high note. While the material is not quite as strong as on the previous studio effort, Rising, Long Live Rock 'n' Roll maintains the momentum the band had built up. "Kill the King" had been previously heard on the live On Stage record, but here it sounds more fully realized. Also, the title track from the album stands as one of the best songs the band did, not to mention a noble sentiment. The chugging "L.A. Connection" is another highlight. As with all of their first four albums, this one was produced by Martin Birch (who produced everyone from Blue Öyster Cult to Wayne County), and he really knows how to get the best out of the band by this point.

Released in 2003, the exceptional two-CD Rainbow collection Catch the Rainbow: The Anthology provides a deeper understanding of how the band influenced the direction of hard rock and heavy metal. Between 1975 and 1984, former Deep Purple guitarist Ritchie Blackmore guided his new band (which had dizzying revolving-door lineup changes) through visions of mystical heavy metal and polished, radio-friendly hard rock. Blackmore's employment of vocalists Ronnie James Dio, Graham Bonnet, and Joe Lynn Turner created three distinct periods, all of which Catch the Rainbow: The Anthology expands upon further than 2000's perfunctory 20th Century Masters - The Millennium Collection: The Best of Rainbow and 1997's stellar The Very Best of Rainbow.

Perhaps the first example of "dragon rock" – a style perfected by bands like Iron Maiden and Dio in the early to mid-'80s – was Ritchie Blackmore's Rainbow, a rather pretentious 1975 collection from the guitarist's first post-Deep Purple project. Fittingly enough, a young Ronnie James Dio provides the goblin-like frontman presence required by the increasingly Baroque Blackmore. The young Dio is at his best when he fully gives in to his own and Blackmore's medieval fantasy leanings, in hard-rocking tracks like "Sixteenth Century Greensleeves" and "Man on the Silver Mountain." The dark, trudging doom rock of "Self Portrait" most clearly showcases what they were capable of. The album's ponderous lyrics are occasionally punctuated by poetic phrases such as "crossbows in the firelight."

Another best of greatest hits from Rainbow over 3CD. Generous 45-track collection features "Man On The Silver Mountain", "Long Live Rock 'n' Rol", "Stargazer", "Since You Been Gone" and more hits!

Ritchie Blackmore's Rainbow is the first studio album by British rock band Rainbow, released in 1975. During studio sessions in Tampa Bay, Florida on 12 December 1974, Blackmore originally planned to record the solo single "Black Sheep of the Family"- a cover of a track by the band Quatermass from 1970 - and the newly composed "Sixteenth Century Greensleeves", which was to be the B-side. Other musicians involved included singer/lyricist Ronnie James Dio and drummer Gary Driscoll of blues rock band Elf, and cellist Hugh McDowell of ELO. Satisfied with the two tracks, Blackmore decided to extend the sessions to a full album.

Ritchie Blackmore's Rainbow is the first studio album by British rock band Rainbow, released in 1975. During studio sessions in Tampa Bay, Florida on 12 December 1974, Blackmore originally planned to record the solo single "Black Sheep of the Family"- a cover of a track by the band Quatermass from 1970 - and the newly composed "Sixteenth Century Greensleeves", which was to be the B-side. Other musicians involved included singer/lyricist Ronnie James Dio and drummer Gary Driscoll of blues rock band Elf, and cellist Hugh McDowell of ELO. Satisfied with the two tracks, Blackmore decided to extend the sessions to a full album.

Thirteen examples of pleasant, mid-tempo, mildly amplified psychedelic pop, most of them owing some considerable debt to the influence of the Beatles' Rubber Soul and Revolver (though not their production), with some of the nutsy brand of humor that Giles, Giles, & Fripp later traded in. This is basically Paul McCartney-influenced psychedelia, not only in the tone and texture of the lead vocals, but the retro style of songs like "I'm So Happy," with some vaguely progressive touches that make one think of the more ornate tracks off of Bee Gees' 1st. "Montgolfier" is a folky/trippy, deliberately antiquated cut that intersects somewhere midway between the early psychedelic Bee Gees and the early work of Amazing Blondel.

This compilation is a well-selected collection containing some of Rainbow's most popular songs, including "All Night Long", "Stone Gold", "Catch The Rainbow", "The Man on the Silver Mountain" and more…

The true power of music is impossible to define and yet we can all feel it when the sonic planets align. The magical impact of the finest rock'n'roll - that hazy but overwhelming blend of inspiration and perspiration - sustains us through dark times and fills our hearts with joy and strength. Music unites us, nourishes us and provides us with an emotional clarity that the rest of our turbulent lives singularly fails to offer. For those reasons and many more, we must proudly acknowledge and salute the true architects of the musical world that we call home. Above all else, Ritchie Blackmore is one of rock's greatest architects; a six-string seer that laid robust foundations upon which four decades of thunderous, perpetual evolution have taken place.

Ritchie Blackmore decided to pull the plug on Rainbow following the supporting tour for 1983's Bent Out of Shape. To commemorate the end of the band, he released the appropriately-titled, Finyl Vinyl. A double-record set of live recordings and a handful of studio outtakes, primarily culled from the Joe Lynn Turner era but also featuring selections with Ronnie James Dio and Graham Bonnet, Finyl Vinyl offers a haphazard alternate history designed for hardcore fans (by 1986, that's pretty much all Blackmore had left). For those fans, the album is actually quite a treat. Rainbow always sounded better on stage than they did on the studio – rawer, harder, alive – and songs that sounded half-baked in the studio, such as selections from Difficult to Cure, sound right here.