It's an event when AACM members collaborate on disc. The former Art Ensemble stalwart Jarman (alto sax, flute, ) and the incendiary tenor saxophonist McIntyre team up to form a most powerful and prolific front line as you'll ever hear in creative music. Colson's rarely recorded piano, the always joyous Favors on bass, and El'Zabar's African informed percussion wizardry provide the ideal backdrop for the countless bright moments heard on this CD…
From the 1970s until his death in 1999, Lester Bowie was the preeminent trumpeter of the jazz avant-garde – one of the few trumpet players of his generation to adopt the techniques of free jazz successfully and completely. Indeed, Bowie was the most successful in translating the expressive demands of the music – so well suited to the tonally pliant saxophone – to the more difficult-to-manipulate brass instrument. Like a saxophonist such as David Murray or Eric Dolphy, Bowie invested his sound with a variety of timbral effects; his work had a more vocal quality when compared with that of most contemporary trumpeters…