Ac/dc

One of the perennial complaints about AC/DC is that they've never changed – and if that's true, High Voltage is the blueprint they've followed all their career. Comprised of highlights from their first two Australian albums – 1975's TNT and its 1976 follow-up, also entitled High Voltage – the album has every single one of AC/DC's archetypes…

Recorded at two separate Chicago dates for a constantly touring Hoist-era Phish, Chicago '94 captures every song recorded at each of the two-set gigs, as well as soundcheck material, amounting to over six hours of music in total…

AC/DC was fast becoming one of rock's top live acts by the late '70s. Few others could match the band's electrifying live performances: Angus Young's never-ending energy and wise-ass antics, Bon Scott's whiskey-soaked vocals, and the rest of the band's penchant for nailing simple, yet extremely effective and memorable, riffs and grooves…

Powerage was a first in the sense that it debuted bassist Cliff Williams, but it really is more of a final curtain to the band's early years. It would be the last produced by Vanda & Young, the legendary Australian production team who also helmed hits by the Easybeats, and it was the last before AC/DC became superstars…

AC/DC's hot streak began to draw to a close with For Those About to Rock We Salute You. While Back in Black was infused with the energy and spirit of paying tribute to Bon Scott, it became apparent on the follow-up that the group really did miss Scott more than it initially indicated…

Flick of the Switch is the ninth studio album by Australian hard rock band AC/DC. Released in 1983, it followed the highly successful Back in Black and For Those About to Rock albums. Flick of the Switch is the third AC/DC album to feature lead vocalist Brian Johnson, and last to feature drummer Phil Rudd before his eleven-year break from the band…

On paper, Who Made Who is just a cheap soundtrack to a cheap movie (Stephen King's disastrous Maximum Overdrive), but it's actually much more than that. It serves as a ripping AC/DC retrospective, tearing through such classics as "You Shook Me All Night Long" and "For Those About to Rock," adding the pounding title track to the band's canon, and rescuing overlooked songs like "Sink the Pink" from otherwise mediocre albums…

Despite the fact that the band's best days were obviously behind them, a live album for AC/DC was all but completely necessary. After all, the group's first live release, If You Want Blood You've Got It, was recorded at a time when AC/DC was nothing more than a cult act that had yet to produce many of its future rock staples…

Originally unveiled in December 1975, T.N.T. was the second AC/DC album released in their native Australia, but is often overlooked outside the Land Down Under because its best tracks were later combined with those from the band's first domestic album, High Voltage, for reissue as their international debut from 1976 – also entitled High Voltage…

The first sound on Back in Black is the deep, ominous drone of church bells – or "Hell's Bells," as it were, opening the album and AC/DC's next era with a fanfare while ringing a fond farewell to Bon Scott, their late lead singer who partied himself straight to hell…