Art Blakey's Jazz Messengers of 1959 were hitting their full stride, as trumpeter Lee Morgan joined the fold with tenor saxophonist Hank Mobley, the reliable pianist Bobby Timmons and steady bassist Jymie Merritt…
Art Blakey's Jazz Messengers of 1959 were hitting their full stride, as trumpeter Lee Morgan joined the fold with tenor saxophonist Hank Mobley, the reliable pianist Bobby Timmons and steady bassist Jymie Merritt…
This set is a previously unissued gig by one of the greatest lineups in the long history of Art Blakey & the Jazz Messengers – Blakey, drums; Bobby Timmons, piano; Wayne Shorter, saxophone; Lee Morgan, trumpet; Jymie Merrit, bass. First Flight to Tokyo: The Lost 1961 Recordings are drawn from the final shows of the band's first tour of Japan…
Volume 1 of the two-volume Genius of Modern Music set comprises the first sessions Thelonious Monk recorded as a leader, on October 15 and 24 and November 21 of 1947. It's impossible to overstate the importance of these sessions…
Celebrating 100 years of Thelonious Monk: includes A Collective Personnel Of: Sonny Rollins, Art Blakey, Max Roach, Gary Mapp, Julius Watkins, Percy Heath, Willie Jones, Ray Copeland, Frank Foster, Curly Russell, Tommy Potter And Art Taylor…
This is one of Thelonious Monk's most important records, even though it was his last studio session. He went out with a bang, with old friends Art Blakey and Al McKibbon on board in late 1971…
Alto saxophonist Gary Bartz attended the Juilliard Conservatory of Music and became a member of Charles Mingus' Jazz Workshop from 1962-1964 where he worked with Eric Dolphy and encountered McCoy Tyner for the first time. He also began gigging as a sideman in the mid-'60s with Abbey Lincoln and Max Roach, and later as a member of Art Blakey & the Jazz Messengers. His recording debut was on Blakey's Soul Finger album…
Alto and tenor saxophonist Ernest Dawkins' New Horizons Ensemble is constantly full of surprises on Mean Ameen, a tribute to the late trumpeter Ameen Muhammad. While "3-D" is a bit reminiscent of the free bop of Ornette Coleman's Free Jazz, Dawkins' tenor sometimes hints at Archie Shepp, "Haiti" sounds like the "small instruments" explorations of the Art Ensemble of Chicago, and "The Messenger" is an excellent tribute to Art Blakey's Jazz Messengers…