Buffalo+springfield

Buffalo Springfield's discography received the complete box set treatment in 2001, with a four-disc set filled with previously unreleased demos, alternate takes, and other rarities. In contrast, What's That Sound: The Complete Albums Collection attempts to restore the discography to how it was heard upon its original release…

The plainly named Box Set – that's the actual title – contains four CDs by a band that made only three albums in their brief lifetime. It goes without saying that this has a lot of great music, and is an essential purchase for fans of this phenomenal 1960s folk-rock-psychedelic band, containing no less than 36 previously unreleased demos, outtakes, and previously unissued mixes. It's the unreleased stuff that holds the most interest, especially since even on their outtakes, Buffalo Springfield were often superb…

Any project in the works for two decades is bound to generate its fair share of myths and so it is with Neil Young's Archives, a series of a multi-disc box sets chronicling Young's history. Originally envisioned in the late '80s as a Decade II, the project quickly mutated into a monster covering every little corner of Neil's career. With its escalation came delays, so many that it sometimes seemed that the project never really existed; it was just a shared fantasy between Neil and his faithful…

Any project in the works for two decades is bound to generate its fair share of myths and so it is with Neil Young's Archives, a series of a multi-disc box sets chronicling Young's history. Originally envisioned in the late '80s as a Decade II, the project quickly mutated into a monster covering every little corner of Neil's career…

After Neil Young left the California folk-rock band Buffalo Springfield in 1968, he slowly established himself as one of the most influential and idiosyncratic singer/songwriters of his generation. Young's body of work ranks second only to Bob Dylan in terms of depth, and he was able to sustain his critical reputation, as well as record sales, for a longer period of time than Dylan, partially because of his willfully perverse work ethic…

After Neil Young left the California folk-rock band Buffalo Springfield in 1968, he slowly established himself as one of the most influential and idiosyncratic singer/songwriters of his generation. Young's body of work ranks second only to Bob Dylan in terms of depth, and he was able to sustain his critical reputation, as well as record sales, for a longer period of time than Dylan, partially because of his willfully perverse work ethic…

Richie Furay started his musical career playing folk clubs as a solo artist in the 1960s, as well as with bands like the Monks and the Au Go Go Singers (which included Stephen Stills in the lineup). After meeting Neil Young they formed Buffalo Springfield with Bruce Palmer and Dewey Martin…

Richie Furay started his musical career playing folk clubs as a solo artist in the 1960s, as well as with bands like the Monks and the Au Go Go Singers (which included Stephen Stills in the lineup). After meeting Neil Young they formed Buffalo Springfield with Bruce Palmer and Dewey Martin. The band cut its first album, Buffalo Springfield, in 1967; it included the single "For What It's Worth." Buffalo Springfield recorded two more albums – Buffalo Springfield Again and Last Time Around – before disbanding in 1968…

After Neil Young left the California folk-rock band Buffalo Springfield in 1968, he slowly established himself as one of the most influential and idiosyncratic singer/songwriters of his generation. Young's body of work ranks second only to Bob Dylan in terms of depth, and he was able to sustain his critical reputation, as well as record sales, for a longer period of time than Dylan, partially because of his willfully perverse work ethic…

Not far into the first track on the sole, self-titled Hard Water album, it's pretty obvious these guys had to be big Buffalo Springfield fans. The hard folk-rock riffs, the soaring harmony vocals, and the way the drums push the beat can't fail to recall Springfield classics like "Rock 'n' Roll Woman" and "Mr. Soul" (whose squelched, backwards distorted guitar riffs are even echoed in some cuts). Perhaps there's a bit of the San Francisco sound, à la early Jefferson Airplane or Moby Grape, in some of the guitar tones and harmonies as well…