Cold+blood

Cold Blood was one of the Bay Area's non-psychedelic contributions to pop music in the late '60s and early '70s. Their R&B-influenced combination of rock, blues, and jazz stood out from the guitar-driven acid rock bands most identified with that scene…

Sisyphus – Cold Blood's second release for Bill Graham's San Francisco label – was a shift to a more aggressive and decidedly funkier sound. Taking their cues as much from James Brown's J.B.'s as from their Bay Area contemporaries and labelmates Tower of Power, Sisyphus is a much more cohesive and concentrated effort compared to their 1969 eponymous debut…

Thriller! – Cold Blood's fourth LP – is a continuation on the brass-intensive funky R&B that drove their previous efforts. In contrast to those discs, however, there is very little in the way of original material here, the singular exception being Max Haskett's rollicking "Live Your Dream," which features the Pointer Sisters on backing vocals…

Founding guitarist Larry Field left before this album was recorded, resulting in an emphasis on keyboardist Raul Matute and sax player Danny Hull. The result is, surprisingly, somewhat tighter playing by the band, with the horn section reined in to provide percussive punches on guitar- and keyboard-driven songs…

They were a pioneering jazz-rock outfit and a hit singles band (which shows how progressive pop music got in the late '60s/early '70s) that wowed fans and critics alike. They were Blood, Sweat & Tears and this two-CD, 32-track set offers not only the most comprehensive collection ever compiled of their work, but also the most appropriate lens through which to view their long and often chaotic career…

By 1988, Kix had only managed to squeeze out three modest-selling records for Atlantic Records. Led in tandem by the endearing frontman Steve Whiteman and chief songwriter and bassist Donnie Purnell, for years, Kix would be unfairly categorized as a supposed "hair band." Worse still, Whiteman would later wake up to find his dancing-on-my-tippy-toes stage act (just think Steven Tyler meets Johnny Thunders on uppers) stolen and carbon copied for the masses by a host of other inferior frontmen including Poison's Brett Michaels…

Rod Stewart made a ballyhooed returned to songwriting in 2013 when he released Time, a collection of songs inspired by his 2012 memoir Rod: The Autobiography. Stewart's reinvigorated muse wasn't a fleeting thing. Blood Red Roses is the second sequel to Time (the fine Another Country appeared in 2015) and, like its progenitor, it's billed as a "personal" project. "Personal" is usually code for introspection, but that's an adjective that simply doesn't describe Blood Red Roses, even if it is undeniably a record that's personal, reflecting precisely where Rod Stewart is in 2018, right down to how he dedicates a song to a city he's worked in for several years…

Crazy version of shop talk cold blood with an amazing bongo drumbeak 72 who did the track first…

After releasing a rather impressive (if not plentiful) double-disc Anthology session a year prior, Shout Factory! followed up in 2006 with Where a Country Boy Belongs. Like Anthology, it's a two-disc, 32-song affair spanning the group's entire career, including two brand new compositions, which is worth the purchase price alone for dedicated, die-hard fans…