Daniel Grafton Hill IV (born 3 June 1954) is a Canadian pop singer and songwriter. He had two major international hits with his songs "Sometimes When We Touch" and "Can't We Try", a duet with Vonda Shepard, as well as a number of other charting singles in Canada and the United States…
Taking its cue from Madonna's ballad collection Something to Remember, Rod Stewart's If We Fall in Love Tonight combines several of his biggest ballads with three new songs. If We Fall in Love Tonight is targeted directly toward an older, adult contemporary audience who no longer wants to hear Stewart's harder-edged material…
Switching from electronics to live instruments for his first album for Tomlab, the science-informed concept album Everything/Everything finds the wonderful work of Simon Bookish – somewhere between the informed wryness of Ivor Cutler and the continuing impact of David Bowie's archly English romanticism – in full flight. With the music provided by orchestrations from woodwinds, strings, brass, and much more besides, the feeling is one of playfulness, a resistance to and celebration of easily grasped pop forms and a sense that the world is there to be amused at and with…
Where the first Best of the Turtles compilation from Rhino focused on the group's many hit singles, Turtle Wax goes in the opposite direction, spotlighting the singles that just didn't click for whatever reason. In this sense it serves the same purpose as Joni Mitchell's Misses accompaniment to her Hits collection…
Friendship’s Merge debut, Love the Stranger, moves like a country record skipping in just the right spot, leaving its fellow travelers longing for a place they’ve only visited in their dreams…
Supertramp followed an unusual path to commercial success in the 1970s, fusing the stylistic ambition and instrumental dexterity of progressive rock with the wit and tuneful melodies of British pop, and the results made them one of the most popular British acts of the '70s and ‘80s, topping the charts and filling arenas around the world at a time when their style of music was supposed to have fallen out of fashion…
This collection of 200 of the most influential music videos in Britain 1966 to 2016 is the result of a three-year University research project run in partnership with the British Film Institute and the British Library. The collection has been put together by a team of researchers in collaboration with a panel of over one hundred directors, producers, cinematographers, editors, choreographers, colourists and video commissioners from the business. Each video has been selected because it represents a landmark in music video history - a new genre, film technique, post-production method, distribution channel, or other landmark…