If

Double Diamond is the sixth album by British jazz-rock group If and the second to be issued in the U.S. on the Metromedia Records label. With only Dick Morrissey left from the original band, the new line-up featured Fi Trench (keyboards) and Pete Arnesen (keyboards), Steve Rosenthal (guitar/lead vocals), Kurt Palomaki (bass) and Cliff Davies (drums)…

If's last studio album isn't as good as their first albums. After many line-up changes, the band slowly changed their musical direction to more straightforward blues-soul-rock…

If's last studio album isn't as good as their first albums. After many line-up changes, the band slowly changed their musical direction to more straightforward blues-soul-rock…

First released as an instrumental track 'Groove Jet' in 1999 on the Spiller - Mighty Miami E.P. Later released commercially as 'Groovejet (If This Ain't Love)' with vocals by Sophie Ellis-Bextor. Contains samples of Carol Williams - Love Is You / Just Feel…

David Crosby's debut solo album, If I Could Only Remember My Name is a one-shot wonder of dreamy but ominous California ambience. The songs range from brief snapshots of inspiration (the angelic chorale-vocal showcase on "Orleans" and the a cappella closer, "I'd Swear There Was Somebody Here") to the full-blown, rambling western epic "Cowboy Movie," and there are absolutely no false notes struck or missteps taken…

By some standards, the Illusion were one of the most successful unknown psychedelic bands of their generation – unknown, yes, but with three LPs to their credit on the Steed label…

In form, Peggy Lee's fall 1961 studio LP If You Go is a concept album in which the theme, as suggested by the title, is love that doesn't work out. Over the course of 12 songs, the singer begins as a romantic philosopher ("As Time Goes By"), then immediately begins to worry that her love affair may be in trouble ("If You Go"). Soon, her fears are confirmed ("Say It Isn't So"). By the start of the second half, she is trying to accommodate herself to separation ("I'm Gonna Laugh You Out of My Life"), but by the end she has acknowledged the pain ("Here's That Rainy Day") and returned to philosophy with her hard-won wisdom about romance ("Smile")…

As Brian Jones' time with the Stones (and with the rest of this world) was drawing to a close, the band was becoming both more progressive in its conception and more adept in its musicianship. Though the studio recordings from this golden period are impeccable, nowhere is the band's growth more evident than on GOT LIVE IF YOU WANT IT. Recorded by Glyn Johns at London's Royal Albert Hall, this album shows the Stones as a powerful live unit, now capable of subtle emotional shadings as well as rock & roll raveups…

A live document of the Brian Jones-era Rolling Stones sounds enticing, but the actual product is a letdown, owing to a mixture of factors, some beyond the producers' control and other very much their doing. The sound on the original LP was lousy – which was par for the course on most mid-'60s live rock albums – and the remasterings have only improved it marginally, and for that matter not all of it's live; a couple of old studio R&B covers were augmented by screaming fans that had obviously been overdubbed…