J.j.+johnson

Coleman Hawkins was the first important tenor saxophonist and he remains one of the greatest of all time. A consistently modern improviser whose knowledge of chords and harmonies was encyclopedic, Hawkins had a 40-year prime (1925-1965) during which he could hold his own with any competitor…

A fine bop-oriented soloist equally skilled on his cool-toned tenor and flute, Bobby Jaspar's early death from a heart ailment was a tragic loss. As a teenager, he played tenor in a Dixieland group with Toots Thielemans in Belgium. He recorded with Henri Renaud (1951 and 1953) and played with touring Americans, including Jimmy Raney, Chet Baker (1955), and his future wife Blossom Dearie…

After 2013's Made Up Mind, Tedeschi Trucks Band hit the road hard, racking up 200 dates in 2014. After Derek Trucks played the Allman Brothers Band's final shows, and TTB's parting with Sony, the 12-piece band and friends (including Doyle Bramhall II) entered their Swamp Raga Studios behind Trucks' and Susan Tedeschi's home, and began recording jam-style rehearsals; everyone was encouraged to contribute ideas, songs, etc…

The Tedeschi Trucks Band is an 11-piece ensemble made up of guitarist-vocalist Susan Tedeschi's and guitarist Derek Trucks' individual bands. They made their debut with 2011's Grammy-winning Revelator, a sprawling collection that showcased funky R&B, gospel, blues, and scorching large band rock. Everybody's Talkin', a double disc, is a live offering from that supporting tour…

Revelator is the debut studio album from the 11-piece Tedeschi-Trucks Band, who already have a reputation as a wildly exciting live jam group. That said, the record that Susan Tedeschi and husband Derek Trucks have recorded proves something beyond their well-founded reputation as a live unit: that they can write, perform, and produce great songs that capture the authentic, emotional fire and original arrangements that so many modern blues and roots recordings lack…

It appears that Eric Clapton had more Robert Johnson in his blood than he thought – or perhaps it was planned this way…

Having made his best album since 461 Ocean Boulevard with Slowhand, Eric Clapton followed with Backless, which took the same authoritative, no-nonsense approach. If it wasn't quite the masterpiece, or the sales monster, that Slowhand had been, this probably was because of that usual Clapton problem – material. Once again, he returned to those Oklahoma hills for another song from J.J. Cale, but "I'll Make Love to You Anytime" wasn't quite up to "Cocaine" or "After Midnight." Bob Dylan contributed two songs, but you could see why he hadn't saved them for his own album, and Clapton's own writing contributions were mediocre…