This 22-cut double-disc set finally gets at it. Issuing a single disc of Dire Straits and Mark Knopfler would be a silly thing at best and a hopelessly frustrating one at worst. When the band burst on the scene with "Sultans of Swing," there was a lot happening in rock music, but most of it was under the radar and remains forgotten except in the historic annals of music fanatics…
Dire Straits leader Mark Knopfler's intricate, introspective finger-picked guitar stylings make a perfect musical complement to the wistful tone of Bill Forsyth's comedy film, Local Hero. This album was billed as a Knopfler solo album rather than an original soundtrack album, with the notation "music … for the film." Knopfler brings along Dire Straits associates Alan Clark (keyboards) and John Illsley (bass), plus session aces like saxophonist Mike Brecker, vibes player Mike Mainieri, and drummers Steve Jordan and Terry Williams…
Mark Knopfler's fine soundtrack to the film Metroland nicely evokes the picture's wistful, nostalgic atmosphere. Rounding out the collection are late-'70s classics from Dire Straits ("Sultans of Swing"), Elvis Costello ("Alison") and the Stranglers ("Peaches"), in addition to left-field inclusions like Françoise Hardy's "Tous Les Garcons et Les Filles" and Django Reinhardt's "Blues Clair."…
Recorded at the Gibson Amphitheatre in California on June 28, 2006, Real Live Roadrunning features live renditions of all of the cuts from Mark Knopfler and Emmylou Harris' collaboration of the same name, as well as solo cuts from each and Dire Straits classics like "So Far Away" and "Romeo & Juliet."…
Mark Knopfler has the luxury of being selective about soundtrack work, and this is only his tenth film score in 17 years. It may be that he waits for films that can benefit from his approach, which is generally a lighter version of what he used to write and perform for Dire Straits and what he does on his solo albums…
With his second post-millennium album in just two years, Mark Knopfler has already equaled his meager (non-soundtrack) output for the '90s. And while he isn't reinventing himself, The Ragpicker's Dream is a pleasant, classy, often inspired effort whose unassuming charms are best appreciated after repeated listenings…
Mark Knopfler's second solo album might as well be called Dire Straits' eighth studio album, though Knopfler abandoned the group name back in 1996, dispensing with hefty sales in the process. There was never much doubt that the fame and lifestyle coincident with platinum sales made him uncomfortable, and discontinuing the Dire Straits billing was a means of walking away from all that. It also allowed him to indulge his love for various musical genres more, and that process continues on Sailing to Philadelphia…
Mark Knopfler's second solo album might as well be called Dire Straits' eighth studio album, though Knopfler abandoned the group name back in 1996, dispensing with hefty sales in the process. There was never much doubt that the fame and lifestyle coincident with platinum sales made him uncomfortable, and discontinuing the Dire Straits billing was a means of walking away from all that…
With the release of Get Lucky, Mark Knopfler has made as many solo studio albums as he made group studio albums with Dire Straits, which may be a signal that it's time to stop comparing his two careers and simply accept them as separate entities. Of course, since Knopfler was the lead singer, chief instrumentalist, and songwriter for Dire Straits, there are obvious similarities, even if he has taken a deliberately different path as a solo artist…