Pet+shop+boys

Documentary covering "every ground-breaking step in the 20-year career of the Pet Shop Boys…" Features appearances Robbie Williams, Trevor Horn, Jake Shears, Frances Barber, Tony Wadsworth, David Walliams, Matt Lucas and more. Bonus material: recent promo videos and live television performances…

…British new wave icons Pet Shop Boys took the Mojave stage in front of a much smaller but undeniably devoted crowd. Keeping in step with the band’s current Electric tour, PSB’s set was an over-the-top visual feast imagined by reknowned costume and set designer Es Devlin. Dancers in animal skulls and other obtrusive headgear flanked singer Neil Tennant and ever-stoic keyboardist Chris Lowe, who treated the fans to a series of flamboyant, futuristic costumes…

Nightlife is a loose concept album – more of a song cycle, really – about nightlife (naturally), a collection of moods and themes, from love to loneliness. In that sense, it's not that different from most Pet Shop Boys albums, and, musically, the album is very much of a piece with Very and Bilingual, which is to say that it relies more on craft than on innovation…

Pet Shop Boys resume their exceptional late-period run with Hotspot, their third in a series of high quality collaborations with producer/engineer Stuart Price. Recorded at Berlin's legendary Hansa Studios, the acclaimed duo's 14th album finds them firmly in their element, delivering crisp electro-pop invocations, wry dance bangers, and melodic gems both sunny and stormy…

Disco is the first remix album by English synth-pop duo Pet Shop Boys, released on 17 November 1986 by Parlophone in the United Kingdom and by EMI America Records in the United States. Disco consists of remixes of tracks from the band's debut album Please and its respective B-sides…

A collection of immaculately crafted and seamlessly produced synthesized dance-pop, the Pet Shop Boys' debut album, Please, sketches out the basic elements of the duo's sound…

With their second album, Actually, the Pet Shop Boys perfected their melodic, detached dance-pop. Where most of Please was dominated by the beats, the rhythms on Actually are part of a series of intricate arrangements that create a glamorous but disposable backdrop for Neil Tennant's tales of isolation, boredom, money, and loneliness…