Sly+&+the+family+stone

Anthology essentially replicates the previous collection Greatest Hits and adds singles from There's a Riot Goin' On and Fresh to the end of the album. Where Greatest Hits didn't follow chronological order, Anthology presents every single in the order it was released – and, with the exception of the latter-day singles and the inclusion of "Don't Call Me Nigger, Whitey," that is the major difference between the two collections…

It's easy to write off There's a Riot Goin' On as one of two things – Sly Stone's disgusted social commentary or the beginning of his slow descent into addiction. It's both of these things, of course, but pigeonholing it as either winds up dismissing the album as a whole, since it is so bloody hard to categorize. What's certain is that Riot is unlike any of Sly & the Family Stone's other albums, stripped of the effervescence that flowed through even such politically aware records as Stand! This is idealism soured, as hope is slowly replaced by cynicism, joy by skepticism, enthusiasm by weariness, sex by pornography, thrills by narcotics…

It's easy to write off There's a Riot Goin' On as one of two things – Sly Stone's disgusted social commentary or the beginning of his slow descent into addiction. It's both of these things, of course, but pigeonholing it as either winds up dismissing the album as a whole, since it is so bloody hard to categorize…

Stand! is the pinnacle of Sly & the Family Stone's early work, a record that represents a culmination of the group's musical vision and accomplishment. Life hinted at this record's boundless enthusiasm and blurred stylistic boundaries, yet everything simply gels here, resulting in no separation between the astounding funk, effervescent irresistible melodies, psychedelicized guitars, and deep rhythms…

Stand! is the pinnacle of Sly & the Family Stone's early work, a record that represents a culmination of the group's musical vision and accomplishment. Life hinted at this record's boundless enthusiasm and blurred stylistic boundaries, yet everything simply gels here, resulting in no separation between the astounding funk, effervescent irresistible melodies, psychedelicized guitars, and deep rhythms…

When Sly & the Family Stone seized Manhattan's Fillmore East for a two-night, four-set stand in October 1968, the sonically and socially advanced band was just starting to cook. Earlier in the year, "Dance to the Music" became their first charting single, a Top 10 pop hit…

Sly & the Family Stone's debut album is more restrained and not nearly as funky or psychedelic as their subsequent efforts, owing far more to traditional soul arrangements. These aren't that traditional, though; Sly is already using goofier and/or more thoughtful lyrics than the soul norm, and taking some cues from rock in his adventurous and unexpected song construction…

It's easy to write off There's a Riot Goin' On as one of two things – Sly Stone's disgusted social commentary or the beginning of his slow descent into addiction. It's both of these things, of course, but pigeonholing it as either winds up dismissing the album as a whole, since it is so bloody hard to categorize. What's certain is that Riot is unlike any of Sly & the Family Stone's other albums, stripped of the effervescence that flowed through even such politically aware records as Stand! This is idealism soured, as hope is slowly replaced by cynicism, joy by skepticism, enthusiasm by weariness, sex by pornography, thrills by narcotics…

A new bass player and drummer signaled a toned-down Sly & the Family Stone sound. Partially in keeping with changes in much of popular music in the early '70s, and maybe the result of marriage and a child, Sly became more introspective, quieter, and calmer, even employing a string section on various cuts…