Styx was one of the titans of the hugely popular AOR movement – along with Boston, Foreigner, Journey, and REO Speedwagon – embraced by the U.S. mainstream in the late '70s and early '80s. The end of the Chicago-based band's peak period coincided with one of the most ambitious and notorious projects of the time, the 1983 concept album Kilroy Was Here…
Edge of the Century is the twelfth studio album by Styx, released in 1990. It was the first Styx album featuring A&M solo artist Glen Burtnik, the only album to feature the Dennis DeYoung/James Young/Glen Burtnik/Chuck Panozzo/John Panozzo lineup, and the last album to feature John Panozzo on drums (he would die six years later of gastrointestinal hemorrhaging)…
Styx's feisty, straightforward brand of album rock is represented best by "Blue Collar Man" from 1978's Pieces of Eight, an invigorating keyboard and guitar rush – hard and heavy, yet curved by Tommy Shaw's emphasized vocals…
Other than being their first platinum-selling album, The Grand Illusion led Styx steadfastly into the domain of AOR rock. Built on the strengths of "Come Sail Away"'s ballad-to-rock metamorphosis, which gained them their second Top Ten hit, and on the high harmonies of newcomer Tommy Shaw throughout "Fooling Yourself," The Grand Illusion introduced Styx to the gates of commercial stardom…
After successfully establishing themselves as one of America's best commercial progressive rock bands of the late '70s with albums like The Grand Illusion and Pieces of Eight, Chicago's Styx had taken a dubious step towards pop overkill with singer Dennis DeYoung's ballad "Babe." The centerpiece of 1979's uneven Cornerstone album, the number one single sowed the seeds of disaster for the group by pitching DeYoung's increasingly mainstream ambitions against the group's more conservative songwriters, Tommy Shaw and James "JY" Young…
Although Dennis DeYoung's concept about man being replaced by robots in the near future failed to get off the ground, Kilroy Was Here still harbored two of the band's best singles…
Presenting radio with one of the best rock ballads ever, Cornerstone gave Chicago's Styx their big break with the number one single "Babe," which held that spot for two weeks in October of 1979. "Babe" is a smooth, keyboard-pampered love song that finally credited Dennis De Young's textured vocals…
The 1972 self-titled album from Chicago-based quintet Styx could be considered an ambitious outing for any band's debut. Clearly influenced by the primarily U.K-centered progressive rock scene, Dennis DeYoung (keyboard/vocals) hooked up with twin siblings Chuck Panozzo (bass/vocals) and John Panozzo (drums/percussion/vocals) in a combo named the Tradewinds during the late '60s…
Edge of the Century is the twelfth studio album by Styx, released in 1990. It was the first Styx album featuring A&M solo artist Glen Burtnik, the only album to feature the Dennis DeYoung/James Young/Glen Burtnik/Chuck Panozzo/John Panozzo lineup, and the last album to feature John Panozzo on drums (he would die six years later of gastrointestinal hemorrhaging)…
Styx may have had their musical roots in the UK's burgeoning late-'60s/early-'70s prog-rock bombast, but they were true pioneers in at least one sense: The Chicago-bred quintet virtually defined the hugely successful "corp rock" boom that followed a decade after prog's original fortunes tarnished…