DVD collection of videos from the Irish Alterna-Rock band fronted by Dolores O'Riordan, the outspoken and uniquely powerful vocalist. The band's success in the '90s was unmatched by any other female-fronted band that decade, and their fanbase continues to be loyal and passionate about the Cranberries, although very little has been heard from any member since 2001. 16 tracks including 'Zombie', 'Linger', Dreams', 'Ode To My Family' and more…
DVD collection of videos from the Irish Alterna-Rock band fronted by Dolores O'Riordan, the outspoken and uniquely powerful vocalist. The band's success in the '90s was unmatched by any other female-fronted band that decade, and their fanbase continues to be loyal and passionate about the Cranberries, although very little has been heard from any member since 2001. 16 tracks including 'Zombie', 'Linger', Dreams', 'Ode To My Family' and more…
With their surprise success behind them, the Cranberries went ahead and essentially created a sequel to Everybody Else is Doing It, So Why Can't We with only tiny variations, with mixed results. The fact that the album is essentially a redo of previously established stylistic ground isn't apparent in just the production, handled again by Stephen Street, or the overall sound, or even that one particularly fine song is called "Dreaming My Dreams." Everybody wasn't a laugh riot, to be sure, but No Need to Argue starts to see O'Riordan take a more commanding and self-conscious role that ended up not standing the band in good stead later…
As one of the most highly acclaimed series in the history of MTV, Unplugged afforded the opportunity for some of commercial music's most praised entertainers (as well as those musicians with a bit more artistic merit) to spotlight their hit songs in a different context. The show was met with surprisingly high acclaim and viewership, and everyone and their brother signed up for an "acoustic" session. Very Best of MTV Unplugged compiles some of the series most lauded moments, most notably Eric Clapton's smash performance of "Tears in Heaven."…
Based in Finland, but hailing originally from France, Eilera delivers her fourth album as she suggests you 'Face Your Demons'. Ironically that's something this album never seems quite able to achieve itself. A Pop-Metal-Folk-Rock sound with ever so slight Symphonic undertones reminding of the interludes a band such as Nightwish might use to link their more effusive moments…
An apocryphal tale says Juilliard Music Conservatory-trained musicians Michael Kamen, Marty Fulterman, and Dorian Rudnytsky decided in the late '60s in New York that they could make bigger bucks as rock stars than as classical musicians. The results of this legendary experiment were inconclusive. Forming the New York Rock and Roll Ensemble, they broke with tradition on their first two albums – 1968's self-titled debut and Faithful Friends the next year – by using classical music instruments in rock songs and using rock instruments on classical pieces…
Australian singer Harriette Pilbeam, aka frontwoman/alter ego of Hatchie, makes music that is often labeled dreamcore, but there's nothing sleepy about her second album. In fact, there's a decided kinetic energy—like Kylie Minogue shimmer meets mid-career Duran Duran—to the title track, with its mysterious synth, thrumming bass and, near the end, a kick-in of dancefloor joy…