The+creation

While they never scored major commercial success in either the United States or the United Kingdom, the Creation inspired a cult following during their original 1966-1967 run that continues to grow with the passage of time, and with good reason. The Creation's pre-psychedelic fusion of mod style and freakbeat sound was intriguing enough, but the real key to their music was the guitar work of Eddie Phillips, who combined forceful, elemental picking with feedback and the use of a violin bow (years before Jimmy Page embraced the idea) that allowed him to conjure singular sounds from his axe…

The best songs on this updated compilation are by far the first twelve. Raw and savage Mod rockers such as "Making Time" and "Painter Man" rival The Who's first LP for intensity. It makes one wonder why The Creation weren't bigger than they were…

This was the only full-length album released during the brief life-span of the Creation, one of the few beat groups to rival the raw intensity of the Who. (Guitarist Eddie Phillips, who committed violin bow to guitar strings before Jimmy Page, was allegedly even courted by Pete Townshend to become the Who's second guitarist.)…

Intelligent Music Project VI “The Creation” Feat. Ronnie Romero (Rainbow), Bobby Rondinelli (Black Sabbath, Rainbow), John Payne (ex-Asia), Todd Sucherman (Styx), Carl Sentence (Nazareth) and Richard Grisman (River Hounds)…

Here are the third and fourth albums from Fever Tree, that great lost Texas band of the sixties, and while neither is as good as the first two, both of them (particularly Creation) have some stunning moments…

Nuggets, Lenny Kaye's original 1972 compilation of garage and psych, loomed large in the record collectors consciousness, canonizing a portion of rock that was originally laughed off while setting the standard for reissues. Rhino's 1998 box set of the same name expanded the scope of that record, replicating most of the original while gloriously spilling forth over three additional discs – and, in doing so, it spurred a minor revolution, becoming one of the most talked-about reissues of the last half of the '90s…

Manufactured on 180-gram, audiophile quality vinyl with replicated artwork, the 14 albums return to their original glory with details including the poster in The Beatles (The White Album), the Sgt. Pepper's Lonely Heart Club Band's cut-outs, and special inner bags for some of the titles. The albums are accompanied by a stunning, elegantly designed 252-page hardbound book in a lavish boxed edition which is being in limited quantities worldwide…

Much like the original, “Monsters Of Death: The Ultimate Death Metal Compilation Vol. 2” collects videos past and present from a variety of genres and labels, along with rarely seen live footage, making this compilation a must for lovers of everything extreme metal-wise…

This delightful release, from the Indian Summer of Bernard Herrmann's recording career, always got neglected by its potential audiences, ignored by Herrmann's fans in favor of his recordings of his film music or his own classical compositions (or more conventionally familiar works such as The Planets) and missed totally by jazz listeners of a historical bent. The material contained herein is distinctly symphonic or – perhaps more accurately – concert hall jazz, the work of established composers coming to grips with and using the then-new music in their own idiom…