This anthology DVD of Cure songs includes the music videos for Boys Don't Cry, A Forest, Let's Go To Bed, The Walk, The Lovecats Inbetween Days, Close To Me, Why Can't I Be You?, Just Like Heaven, Lullaby, Lovesong, Never Enough, High, Friday I'm In Love, Mint Car, Wrong Number, Cut Here, and Just Say Yes. And acoustic versions of five of those. PLUS three other music videos as Easter Eggs…
In 2005, a nascent Cure trio of Robert Smith, Simon Gallup, and Jason Cooper celebrated the return of former guitarist Porl Thompson with a series of 9 eclectic headline festival shows across Europe. This 30-song DVD is a wonderful reminder of how and why The Cure remain one of the most vibrant bands on the planet. This title carries a parental advisory…
An ambitious yet practical idea, Trilogy underscores the tonal and lyrical connections between three of the Cure's darkest albums in the last 20 years. The restless, ever-changing band, fronted by goth-gloomster Robert Smith, took up residence at the Tempodrom Berlin for a couple of nights in late 2002 for the express purpose of playing the group's 1982 Pornography, 1989's Disintegration, and 2000's Bloodflowers live and in their entirety…
After the fallout both psychologically and physically of Pornography, it looked unlikely that anyone would hear from the Cure ever again. Surprisingly, from 1982-1983 Robert Smith and (now keyboardist) Lol Tolhurst put out some of the catchiest singles of their career…
An assortment of remixes, re-recordings, old singles, and one new song ("Never Enough"). Most of the remixes are quite radical, leaving only the bare bones of the original song. There are enough oddities and rare tracks on Mixed Up to make it necessary for Cure fans, but it's too specialized for casual listeners. ~ Stephen Thomas Erlewine
After the relatively straightforward pop of Wish, the Cure moved back toward stranger, edgier territory with Wild Mood Swings. Actually, that's only part of the truth. As the title suggests, there's a vast array of textures and emotions on Wild Mood Swings, from the woozy mariachi lounge horns of "The 13th" to the perfect pop of "Mint Car" and the monolithic dirge of "Want."…
Recorded in the midst of Robert Smith's tenuous tenure with Siouxsie and the Banshees, The Top is arguably the most hedonistic record the Cure ever produced. Essentially Smith and Lol Tolhurst working with studio musicians (this being the period when the Cure's lineup was never assured), it's an album obviously recorded under stress, drink, and drugs…