U.k.

The debut album from amalgamated progsters John Wetton, Bill Bruford, Eddie Jobson, and Allan Holdsworth has the edge over both Danger Money and Night After Night because of the synthesis of melody and rhythm that is inflicted through nearly every one of the eight tracks. While not as commercial sounding as Wetton's 1980s supergroup Asia, U.K. mustered up a progressive air by the use of intelligent keyboard and percussion interplay without sounding mainstream. Jobson's work with the electric violin and assorted synthesizers adds to an already profound astuteness carried by Wetton. Former Yes and Genesis drummer Bill Bruford is just as important behind the kit, making his presence felt on numbers like "Thirty Years" and "Nevermore."…

The third and final record by the progressive rock trio U.K. was recorded during a 1979 concert in Japan, although it was not released until after the group disbanded; by this time the group featured bassist and lead vocalist John Wetton with ex-Zappa sidemen Eddie Jobson (keyboards and electric violin) and drummer Terry Bozzio. "Night After Night" serves a driving opener, followed by "Rendezvous 6:02," primarily a feature for Jobson's keyboard wizardry. The instrumental "Alaska" is a bit bombastic on the scale of Emerson, Lake & Palmer, though the hard-rocking "In the Dead of Night" makes up for it. Jobson switches to violin for the high-energy closer, "Caesar's Palace Blues" (which is not actually a blues). This is easily the best of U.K.'s rather small discography…

The debut album from amalgamated progsters John Wetton, Bill Bruford, Eddie Jobson, and Allan Holdsworth has the edge over both Danger Money and Night After Night because of the synthesis of melody and rhythm that is inflicted through nearly every one of the eight tracks…

The debut album from amalgamated progsters John Wetton, Bill Bruford, Eddie Jobson, and Allan Holdsworth has the edge over both Danger Money and Night After Night because of the synthesis of melody and rhythm that is inflicted through nearly every one of the eight tracks…

The followup album has Terry Bozzio taking over the drumming. It features exceptional synth work by Eddie Jobson and bass and vocals from John Wetton. ~ Paul Kohler

The followup album has Terry Bozzio taking over the drumming. It features exceptional synth work by Eddie Jobson and bass and vocals from John Wetton. ~ Paul Kohler

The debut album from amalgamated progsters John Wetton, Bill Bruford, Eddie Jobson, and Allan Holdsworth has the edge over both Danger Money and Night After Night because of the synthesis of melody and rhythm that is inflicted through nearly every one of the eight track…

U.K. were a British progressive rock supergroup originally active from 1977 until 1980. The band was composed of singer/bassist John Wetton (formerly of King Crimson, Roxy Music, Bryan Ferry's band and Uriah Heep), keyboardist/electric violinist Eddie Jobson (formerly of Curved Air, Roxy Music and Frank Zappa's band), guitarist Allan Holdsworth (formerly of Tempest, Soft Machine, The New Tony Williams Lifetime and Gong) and drummer Bill Bruford (formerly a full member of Yes and King Crimson, and also a tour drummer for Genesis), who was later replaced by drummer Terry Bozzio (formerly of Frank Zappa's band)…

The third and final record by the progressive rock trio U.K. was recorded during a 1979 concert in Japan, although it was not released until after the group disbanded; by this time the group featured bassist and lead vocalist John Wetton with ex-Zappa sidemen Eddie Jobson (keyboards and electric violin) and drummer Terry Bozzio…

This record is UK's sophomore studio album. It is still very progressive, and less fusion that the previous one. Jobson's keyboards still have futuristic elements and they are sometimes intense, dramatic & floating; Jobson also uses here an omnipresent vintage organ a la ELP or Triumvirat, so that the overall sound is less modern than on the previous album…