Gene+clark

Gene Clark’s 1974 masterpiece gets the reappraisal it’s long overdue. On the eve of what would have been American singer-songwriter and Byrds founding member Gene Clark’s 75th birthday comes the reissue of one of his finest works, No Other. Released in 1974 on Asylum Records, a year after the Byrds short- lived reunion, Gene reached for the stars with No Other; a psychedelic rock, folk, country and soul record that famously cost a small fortune to make…

There was a time in the 1960s when US Top 40 radio and record sales were dominated by British invasion bands like The Beatles, The Rolling Stone, The Kinks and The Who. The US had a few answers, but none more potent, or competent, than The Byrds, who had a string of incredible singles and classic albums, and were able to evolve with the times, from folk rock, through psychedelic rock before finally settling into the country rock genre…

In early 1978, three of the founding members of the Byrds—Roger McGuinn, Gene Clark, and Chris Hillman—were touring the West Coast with a show in which they each played short solo sets before concluding the show as a trio, performing a handful of Byrds classics. The shows were so well received that the trio would later land a record deal and record a pair of new albums, but on February 9, 1978, fans who came to see McGuinn, Clark & Hillman at the Boarding House in San Francisco got a special surpris…

When the four-CD Byrds set was first released in 1990, it was something of a landmark in Columbia Records' history on several counts. For starters, it was the first box set ever released by Columbia Records' pop division (as opposed to its jazz division) devoted to a noncurrent act (that is, they'd already issued boxes on Bob Dylan and Bruce Springsteen, but both of them were active artists), and there had been boxes of sorts on Miles Davis and some other jazz figures, but their place in music history was already a given, whereas the Byrds, to Columbia Records' management and a lot of mainstream critics and even most listeners not attuned to their history, were "nothing" but a defunct rock act…

A sequel to 1964's The T.A.M.I. Show, The Big T.N.T Show was shot before a live audience at the Moulin Rouge club in Los Angeles on November 29, 1965. With Phil Spector serving as musical director, the concert showcased rock, soul, country, pop and folk artists on one bill, surrounded by an audience of screaming girls…

For those who don't want to invest the time or money in the full four-disc The Byrds, 20 Essential Tracks is a decent sampler of the Byrds' better tracks throughout the years…

A blip in the Byrds' discography that could easily be missed, as all of the songs from these pre-Mr. Tambourine Man sessions are also found on the much more widely available In the Beginning. Byrds fans really need to track this down, though, because six of the 11 cuts are actually entirely different versions than the ones that appear on In the Beginning, and in some cases the differences are substantial…

Limited Edition 7CD box set featuring rare live performances of GP with the Byrds and Flying Burrito Brothers. Also features Gram's songs performed by Roger McGuinn, Gene Clark, Chris Hillman, Emmylou Harris, Linda Ronstadt, Jerry Garcia. Plus a disc of influences/original version…

California Dreamin' reminds us that '60s pop paragons The Mamas & The Papas had an appealing new sound, made some terrific records, and left behind a legacy that lives on more than 35 years after they called it quits. This hour-long documentary, originally aired on PBS, has all the standard elements of the genre: interviews (including some from 2004 and '05 with surviving members Michelle Phillips and Denny Doherty, as well as 1986 recollections by John Phillips, who died in '01, and a few brief words from Cass Elliot, who passed away in '74), photos, home movies, and a generous helping of music clips…

One of the greatest debuts in the history of rock, Mr. Tambourine Man was nothing less than a significant step in the evolution of rock & roll itself, demonstrating that intelligent lyrical content could be wedded to compelling electric guitar riffs and a solid backbeat…