Lola+(1981)

В зоне особого внимания: Готовятся большие военные учения. Командир гвардейского полка направляет в тыл «врага» три развед-диверсионные группы для обнаружения и захвата замаскированного командного пункта. Срок исполнения — двое суток. Разведчики выполняют задание в условиях, максимально приближенных к бою…
Ответный ход: Вторая часть дилогии, начатой фильмом `В зоне особого внимания`. Действие вновь разворачивается во время крупных войсковых учений. Однако на этот раз перед десантниками поставлены более сложные задачи…

The legendary French filmmaker Agnès Varda, whose remarkable career began in the 1950s and has continued into the twenty-first century, produced some of her most provocative works in the United States. After temporarily relocating to California in the late sixties with her husband, Jacques Demy, Varda, inspired by the politics, youth culture, and sunshine of the San Francisco and Los Angeles areas, created three works that use documentary and fiction in various ways. She returned a decade later, and made two other fascinating portraits of outsiderness. Her five revealing, entertaining California films, encompassing shorts and features, are collected in this set, which demonstrates that Varda was as deft an artist in unfamiliar terrain as she was on her own turf.

A worker becomes a "man of iron" forged by experience, a son comes to terms with his father, a couple fall in love, a reporter searches for courage, and a nation undergoes historic change. In Warsaw in 1980, the Party sends Winkel, a weak, alcoholic TV hack, to Gdansk to dig up dirt on the shipyard strikers, particularly on Maciek Tomczyk, an articulate worker whose father was killed in the December 1970 protests. Posing as sympathetic, Winkel interviews people who know Tomczyk, including his detained wife, Agnieszka. Their narrations become flashbacks using actual news footage of 1968 and 1970 protests and of the later birth of free unions and Solidarity.

Five friends travel to a cabin in the woods, where they unknowingly release flesh-possessing demons.

Cult horror movie director Norman J. Warren was born on June 25, 1942 in London, England. His fright features are distinguished by their cold, grim tones, modern-day settings (this was a radical departure from the period Gothic horror movies made by Hammer), young adult main characters, and startling outbursts of hideously graphic violence. Norman suffered from polio as a child and hence has only one functioning arm. An avid film buff since he was a little kid, Warren got his start working as a runner on "The Millionairess" and handled assistant director chores on the 1962 feature "The Dock Brief."

In the post-apocalyptic Australian wasteland, a cynical drifter agrees to help a small, gasoline rich, community escape a band of bandits.

In the post-apocalyptic Australian wasteland, a cynical drifter agrees to help a small, gasoline rich, community escape a band of bandits.

In the post-apocalyptic Australian wasteland, a cynical drifter agrees to help a small, gasoline rich, community escape a band of bandits.

Alcoholic and divorced father of a young daughter, DS Jim Bergerac is a true maverick who prefers doing things his own way, and consequently doesn't always carry out his investigations the way his boss would like.

Alcoholic and divorced father of a young daughter, DS Jim Bergerac is a true maverick who prefers doing things his own way, and consequently doesn't always carry out his investigations the way his boss would like.